I know that I talked about cartoons and satire in yesterday’s article, but I had a rather interesting experience a few months ago that I thought I’d revisit briefly because of what it might explain about political cartoons. Or, more accurately, when you should make them.
Although I hardly ever make political cartoons, I suddenly found myself making one earlier this year. I didn’t plan to make a political cartoon that day, but I did.
It was prompted by reading a few news articles earlier this year about the (then) Culture Secretary’s planned changes to the BBC Charter (like this one and this one ). As soon as I realised the full horror of what these proposed changes meant, I suddenly felt compelled to respond with a cynical political cartoon.
The interesting thing was that I didn’t really set out to make a political cartoon, it just kind of happened. Amidst the emotions that these articles had provoked, a fully-formed idea popped into my mind and, within a couple of hours, I’d made a cynical political cartoon. To say that making this cartoon was a cathartic experience would be an understatement.
This, I think, is when political cartoons are at their absolute best. When you feel like you absolutely have to make a political cartoon, then it’s probably going to come straight from the heart and it’s probably going to have real meaning behind it (or at least it’ll feel like it does).
If making a politcal cartoon genuinely feels, even for a moment, like it’s a way to fight back against some event or possibility that you feel powerless about, then it’s worth making. As paradoxical as it might sound, political cartoons that come from a feeling of powerlessness are often the most powerful types of political cartoons.
If you have an attitude of being reluctant to make political art, then – as counter-intuitive as it might sound– it usually means that you’ll only produce political cartoons when it really matters to you. In other words, you’ll be intensely focused on trying to find a way to get your opinions across as powerfully and effectively as possible, because anything less just wouldn’t be right.
This is when the very best political cartoons are made. In situations where the idea of not making a political cartoon is more strange/frightening/unusual etc.. than actually making a political cartoon is.
There have been a couple of times where I’ve tried to make more “light-hearted” political cartoons, because I thought that they’d be funny or topical. But, because they don’t really have the same level of passion or emotion behind them as my more “angry” political cartoons, the quality is significantly lower as a result. Like with this mediocre cartoon I made about a silly publicity stunt by the Labour party before the 2015 UK general election:
So, ironically, you can sometimes produce better political cartoons by not making them regularly. Unless, of course, you plan on becoming a professional political cartoonist (in which case, practice, practice and practice some more).
Sorry for the ridiculously short article, but I hope that it was useful 🙂