Ever since I discovered the genre when I was a teenager, I’ve been a fan of dystopian science fiction. Hell, I even read “Nineteen Eighty-Four” twice when I was about thirteen or fourteen. If I remember rightly, I was absolutely fascinated by the ominously mysterious, yet creepily fascinating, world that the novel is set in. It was a little bit like the vintage 1970s-90s horror novels I enjoyed reading at the time, but it also contained sci-fi too.
Not only that, the cyberpunk genre has been one of those “dystopian” types of science fiction that I’ve been fascinated with for a long time. In fact, I read my first cyberpunk novel when I was about twelve ( one of the “Tom Clancy’s Net Force Explorers” books, I can’t remember which one) without even realising that it was cyberpunk.
Since then, I’ve had something of an on and off fascination with the genre. Most recently, I’ve become fascinated with the genre again because it has proven to be an amazing source of artistic inspiration (like in this recent sci-fi comedy comic of mine).
The cyberpunk genre is often labelled as dystopian science fiction and, whilst there are certainly dystopian stories, films, books, games etc.. in the cyberpunk genre, it never really feels “dystopian”. Not only does the cyberpunk genre often feature breathtakingly beautiful neon-lit cities, but it often includes enough intriguing background details and dark humour to offset any depressingly “dystopian” elements of the genre.
The most recent example of this that I’ve seen is in a computer game called “Technobablyon” that I mentioned yesterday. I’d played some more of it and found myself playing a part of the game (that involves solving a grisly murder) that should have been disturbingly horrific. However, thanks to the dialogue from the characters and the sheer weirdness of the solution to the mystery, this part of the game was more of a hilariously farcical dark comedy than a disturbing glimpse at where a technology-filled future could lead:
Talking of dark comedy, a while before I played this part of the game, I was curious about another work of dystopian science fiction – Charlie Brooker’s “Black Mirror” TV series. I’d been vaguely thinking about getting it on DVD since it was something that should have appealed to me – given my cynical sense of humour. Yet, when I read a few plot summaries on Wikipedia, I realised that it was actually serious dystopian science fiction…. and not in a fun way.
The story outlines I’d read seemed depressingly bleak and genuinely frightening. Even a mere description of some of the technology-based storylines in the series filled me with a real sense of paranoid dread. It was probably where technology might lead to in the future, and it terrified me. This is, of course, what dystopian science fiction is supposed to do.
It’s supposed to show the audience where the future could lead, in the hope that the audience will somehow prevent such a terrible future from coming true.
But, it doesn’t work. When I read those descriptions, I realised that there was literally nothing I could do to prevent any kind of dystopian future. I mean, it’s a long-standing joke that governments don’t see “Nineteen-Eighty Four” as a warning, but as a manual. Extending surveillance (and censorship too) seems to be part of the psyche of many major political parties, so it happens regardless of which one wins an election. The left and the right are just as bad as each other in this regard.
Dystopian science fiction is supposed to be like a vaccine – giving people a small dose of something terrible in the hope that it will prevent something even worse from happening in the future. But, this comes with the assumption that people can actually prevent worse things from happening.
In a more optimistic age, when real news mattered more than fake news, when people cared more about things like free speech and privacy, when people debated ideas instead of being lost in filter bubbles and the many left-wing/right-wing echo chambers on the internet etc… this might have been true.
But, in this modern world, dystopian science fiction is just another genre of entertainment. It can be a really cool one, or it can be an extremely depressing one. But, I think that the argument that it can actually change the world for the better has long since been proven wrong.
Anyway, I hope that this was interesting 🙂