Well, I thought that I’d review the fifth book in Jocelynn Drake’s excellent six-novel “Dark Days” series today (you can see my reviews of the previous four novels here, here, here and here). Although I plan to read at least one different novel before reading and reviewing the final book in the series, I’m definitely going to miss this series when it is finished.
Although “Wait For Dusk” begins a couple of minutes after the ending of the fourth novel, it tells a mostly self-contained story with enough recaps for newer readers. However, you’ll get a lot more out of this novel if you read the previous four books first.
Anyway, let’s take a look at “Wait For Dusk”. Needless to say, this review will contain some SPOILERS.
I read the 2010 EOS (US) paperback edition of this novel. However, I won’t include a scan of the book cover in this review, since it probably borders on being “Not Safe For Work”. Interestingly, this cover art is also a perfect example of why you shouldn’t judge a book by it’s cover too. Although the cover art …technically.. isn’t misleading (if anything, it’s a plot spoiler), it doesn’t really represent the overall tone of the majority of this horror/thriller story either. So, don’t judge this book by it’s cover.
“Wait For Dusk” begins with Mira being threatened by a mysterious man who claims to be her long-lost father. Calling himself Nick, he claims to be the being behind numerous trickster gods (Loki, Anansi etc..) throughout human history. And he has plans for Mira. He’ll grant her a few extra powers, as long as she uses them to gain control of both Danaus and Jabari. If she doesn’t, he’ll turn her into an ordinary human. After giving her this ultimatum, he disappears.
When Danaus and Valerio find Mira, she downplays what has happened. After all, they have more pressing matters to attend to. Not only is Tristan badly-wounded and racked with guilt, but Mira has been ordered before the vampire coven in Venice in order to formally take her seat as an elder.
After going through the grisly formalities, the next session of the coven begins. Vampires from across the world lodge complaints about naturi attacks. After Mira angrily tells the vampires to take care of it themselves, Macaire suggests that an example should be made of the naturi and requests that Mira travels to Budapest. She agrees, but soon realises that she might be walking into a trap…
One of the first things that I will say about this novel is… wow! Not only is it a gloriously macabre horror novel and an utterly gripping thriller novel, but it is also basically “Game Of Thrones, but with vampires” too 🙂 Albeit, in terms of the story rather than the setting (which, in this novel, is the modern world rather than a medieval-style fantasy world).
This novel is filled with so many clever political machinations and brilliantly witty dialogue exchanges that it makes the second novel in the series seem disappointingly shallow by comparison. And, as the cover art shows, there are also a few romantic/erotic elements too – but these are more of a background element most of the time.
Not only does this novel contain several different types of horror (suspenseful horror, paranormal horror, gothic horror, gory horror, moral horror etc..), but it also contains several different variations on the thriller genre too. In addition to some expertly-directed ultra-violent action thriller scenes, there’s also a lot of thrilling suspense, some emotional conflict between the protagonists and some very well-written political thriller elements too. Seriously, this is how you write a horror thriller novel 🙂
Plus, the horror and thriller elements dovetail very nicely too. For example, Nick’s ultimatum to Mira means that she feels that time is running out (thriller) whilst also feeling conflicted about using her new powers to force Danaus to kill more readily than he ordinarily would (horror). This then causes a lot of friction between Mira and Danaus, which only helps to add to the suspense. And this is just one small example, I haven’t even got onto the story’s intricate political plots and machinations. This novel is almost like a perfect symphony of horror, drama, thrills, suspense and intrigue.
The story’s romance elements are handled reasonably well too, with both Mira and Danaus forced to examine their relationship when it is put under strain. Of course, as the cover art so blatantly spoils, there’s also a scene that long-time fans of the series have been waiting for too. This scene is surprisingly well-written and it has the level of vivid intensity that you would expect from this series. I would say that it isn’t for the prudish but, if you’re reading this series, then you probably aren’t prudish anyway.
One of the major strengths of this novel is the dialogue. Although the narration is still the kind of gripping first-person perspective thriller novel narration that you would expect, the dialogue is absolutely exquisite. If you like formal dialogue where characters are being superficially polite to each other, whilst trying to sneak in veiled insults, threats, cruel pranks or witty jibes, then you’ll love this story 🙂 Seriously, the dialogue exchanges brought a cynical smile to my face on many occasions. Plus, of course, this is also excellently counterpointed with more “matter of fact” arguments between the characters too.
Earlier, I likened this novel to “Game Of Thrones” and the comparison is a really good one (aside from the fact that this novel is set in the 2010s, rather than the middle ages). Seriously, if you want to see machiavellian power struggles, gripping intrigue and cunning plots, then this novel is well worth reading 🙂 Not only that, this novel also perfectly captures the chillingly brutal attitude towards political power that makes “Game Of Thrones” so morbidly compelling too.
Another strength of this story is the settings. For most of the novel, Mira and her allies find themselves alone in the beautiful – but deadly – city of Budapest. They have to work out who is in charge and then find a way to gain power over the city. Although this is reminiscent of the Venice-based scenes in the second novel in the series (“Dayhunter”), it is handled even more expertly. You really get the sense that the characters are plunged into an unfamiliar and dangerous place that will require them to use all of their wits to survive.
All in all, this is the best novel in the series so far 🙂 It contains a perfect blend of horror, thrills, suspense, sophistication, intrigue and drama. As I said earlier, it is basically “Game Of Thrones”, but with vampires 🙂 Seriously, this novel really amazed me 🙂 But, don’t judge this book by the cover though.
If I had to give it a rating out of five, it would get a very solid five.