Three Thoughts About Novelisations And Spin-Off Novels

One of the things that I’ve noticed recently is that, due to things like hot weather, time stress and stuff like that, I’ve found myself reading a lot more books based on videogames, films, TV shows etc.. over the past few days. Although this is mostly because they’re easy and quick to read, it has also made me think a bit more about this somewhat overlooked genre of fiction too.

So, I thought that I’d offer a few thoughts about novelisations and TV show/movie/videogame spin-off novels.

1) They’re more about the journey than the destination:
Simply put, if someone is reading a novel that is either directly based on or a spin-off from a familiar TV show, film, game etc.. then they’re probably going to know what to expect. This familiarity is one of the things that makes novelisations/spin-off novels so relaxing and reassuring to read. However, it can make things like suspense and drama a little bit more difficult to achieve.

Good spin-off/novelisation writers will usually get around this problem by focusing more on the journey than the destination. For example, this “Aliens” spin-off novel I read a few days ago really doesn’t contain much in the way of new stuff when it comes to the plot. The basic premise is similar to another “Aliens” spin-off novel and the basic “dystopian villain vs. plucky rebels” storyline is a classic sci-fi/fantasy staple. Yet, this novel was extremely enjoyable to read. But, why?

Simply put, the novel is written in a rather thrilling and atmospheric way. There are lots of mini-cliffhangers, enough characterisation to make you care about the characters, some dramatic locations etc… In other words, although the story itself is reasonably familiar, everything along the way is still dramatic and interesting enough to be worth reading.

A better example is probably S.D. Perry’s “Resident Evil: The Umbrella Conspiracy“. Even though I’ve read this novel before and played the videogame it was based on, it was still gripping enough for me to re-read it in a single day. This was all because of the writing, characters and structure. In other words, this novel is written in a reasonably atmospheric way, it is structured like a good thriller novel and there’s lots of extra characterisation when compared to the source material.

So, yes, these types of novels are more about the journey than the destination.

2) They age far better: Another awesome thing about novelisations and spin-offs are how timeless they are. After all, film and television have only been around for approximately a century or so and computer/video games have only been around for a few decades. The written word, on the other hand, has been around for millennia.

What this means is that novelisations of slightly older things can still seem fresh, new and interesting when compared to their original forms. After all, the written word has had much longer to refine and develop itself – so an old novel can easily be more spectacular than an old film or videogame. After all, it doesn’t have to worry about things like special effects, the state of computer graphics at the time etc…

3) Spin-off novels are like new episodes: This one is more about spin-off novels than traditional novelisations, but it’s really interesting nonetheless. Back in 2011-13, I went through a phase of reading “Star Trek: The Next Generation / Deep Space Nine/ Voyager” spin-off novels.

One of the cool things about these novels is that very few of them were directly based on episodes of these TV shows, with most of them telling new and original stories featuring familiar characters. And, since I’d already watched most episodes of these shows, the idea that there was a giant wealth of hundreds of extra “episodes” out there was really cool.

So, finding spin-off novels based on TV shows can almost be like finding entire new seasons of a TV show, new feature-length episodes and all sorts of cool things like that. Plus, since spin-off novels usually tend to be written in a slightly more informal and “readable” way, they’re often as relaxing as watching a TV show but with all of the added depth and sophistication that can only come from the written word 🙂

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Anyway, I hope that this was interesting 🙂

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Today’s Art (26th April 2019)

Well, today’s digitally-edited painting is based on this photo I took of part of Portsdown Hill last May. Although it ended up looking a little bit more vivid than I’d initially expected, I quite like how it turned out.

As usual, this painting is released under a Creative Commons BY-NC-ND licence.

“Portsdown Hill – View” By C. A. Brown

Review: “Resident Evil: The Umbrella Conspiracy” By S. D. Perry (Novel)

Well, a while after I finished the previous novel I’d reviewed, I was still in the mood for some relaxing literary comfort food. Naturally, my thoughts turned back to an old favourite of mine that I’ve been meaning to re-read for ages. I am, of course, talking about S.D.Perry’s 1998 novel “Resident Evil: The Umbrella Conspiracy”.

This is a novel that I first discovered when I was about thirteen or fourteen and, along with classic 1980s splatterpunk horror novels like Shaun Hutson’s “Erebus“, it showed me how utterly awesome novels can be 🙂 Yes, I’d read other novels before then, but these old 1980s/90s horror novels were the things that really got me interested in reading (and writing too).

Not only that, S.D.Perry’s “The Umbrella Conspiracy” (and it’s sequels) were based on the classic “Resident Evil” games – which were one of my favourite computer/video game series at the time. Perry’s novels were everything that my younger self had really wanted these slow-paced, atmospheric survival horror games to be – fast-paced, ultra-gruesome, pulse-pounding thrillers.

So, yes, this novel made quite an impression on me when I was younger 🙂 But, I was curious to see how I’d react to it now that I actually am one of the “mature readers” which the patronising content warning on the back cover recommends the book for.

So, let’s take a look at “The Umbrella Conspiracy”. Needless to say, this review may contain SPOILERS.

This is the 1998 Pocket Books (US) paperback edition of “Resident Evil: The Umbrella Conspiracy” that I re-read 🙂

The novel begins in the near-future year of 1998 (the original videogame came out in 1996), with a series of newspaper reports describing a series of mysterious grisly deaths in the forests surrounding the American city of Racoon City. The reports speculate that cannibals or wild animals are behind the horrific killings.

With mounting concern about the deaths, the local police chief authorises the force’s elite special tactics units (“S.T.A.R.S”) to go in and investigate. But, when Bravo team loses radio contact with HQ, S.T.A.R.S leader Albert Wesker decides to send Alpha team into the forest. As their helicopter gets closer to the forest, they notice a pall of smoke from a crashed helicopter. Bravo team’s helicopter!

After landing near the crashed chopper, Alpha team notices that it is completely abandoned. During a search of the surrounding woodland, Alpha team soon find the dismembered remains of one member of Bravo team. But, seconds later, they are menaced by ferocious mutant dogs. Fleeing for their lives, Alpha team find a disused mansion and take shelter inside. But, far from being a sanctuary, they have unknowingly entered the world of survival horror…..

One of the first things that I will say about this novel is that, even though I’ve read it before and even though I’m very familiar with the game it’s based on, it was still just about gripping enough for me to read all of it within a single day. Yes, this novel will be more suspenseful and dramatic if you haven’t played the game. But, even if you know everything about the story, then it’s still a fairly atmospheric and gripping novel.

And, although this novel isn’t that scary, it’s still a brilliant horror novel. Not only do the earlier parts of the novel build up ominous suspense quite well, but the novel’s creepy mansion setting also has the kind of gloomy, claustrophobic atmosphere that you would expect too. Plus, as mentioned earlier, this novel turns the gruesome elements of the source material up to eleven – giving this novel the macabre, vicious and grisly atmosphere that the original game lacked somewhat.

Likewise, this novel works really well as a thriller novel too. Since the main characters quickly find themselves separated when they enter the mansion, this allows the novel to jump between different areas and include lots of mini-cliffhangers. In addition to this, the main characters are frequently menaced by an assortment of zombies and mutant monsters, which gives the story much more of an action-packed feel. This fast-paced combat is also expertly contrasted with slower moments of puzzle-solving, suspense and characterisation too. Seriously, this is a thriller novel 🙂

As for how good an adaptation it is, it’s a really great one. Since “Resident Evil” is more of a story/puzzle/exploration-based game than an action game, it translates really well to a novel format – with Perry also being able to expand on all of the characters’ backstories in a way that really makes you care about them.

In addition to this, the novel also cleverly interweaves the game’s two campaigns (Jill’s campaign and Chris’ campaign), allowing the story to include many of the best moments from both of them. Plus, a few of the game’s signature lines of dialogue/text (eg: “You were almost a Jill Sandwich”, “…pecked to death by crows”, “Itchy. Tasty” etc…) also make an appearance too 🙂

The novel also takes a few interesting creative liberties which really help to keep the reader on their toes too. Not only does a mysterious new character called Trent (who is expanded upon more in Perry’s “Resident Evil: Underworld”, if I remember rightly) make a couple of cryptic appearances, but there are also a few amusing moments – such as Jill taking a much more common sense attitude towards a few of the game’s contrived puzzles (eg: just shattering the glass in the statue room, just climbing down the outdoor lift shaft etc..) too.

As for the writing, it’s really good. Perry’s third-person narration strikes just the right balance between being atmospherically descriptive and grippingly fast-paced. It’s written in a fast-paced, informal “matter of fact” way that allows you to blaze through the whole thing in a single day – but there’s enough description and formality to really give the story a sense of depth (compared to the game). In classic splatterpunk fashion, many of the novel’s most elaborate descriptions are also often reserved for moments of grisly, grotesque horror too 🙂

In terms of length and pacing, this novel is really great 🙂 Not only is it an efficient 262 pages in length, but the novel’s pacing is utterly brilliant too – with a really good contrast between fast-paced action scenes and slower moments of suspense and characterisation. Seriously, even if you know the story by heart, then this novel is still fairly gripping.

As for how this twenty-one year old novel has aged, it’s aged really well. Yes, there are a few obviously “90s” elements (such as a “futuristic” PDA that is more primitive than a modern smartphone) but, for the most part, this novel has lost none of it’s atmosphere, intensity and drama. Plus, of course, if you’ve played the original “Resident Evil” game, then this novel is a wonderful nostalgia-fest too 🙂

All in all, this novel is an absolutely brilliant adaptation of “Resident Evil” 🙂 If you’ve never played the game, then the story will be a lot more suspenseful. If you have played the game, then this novel is a deeper, more expanded and more intense version of a familiar story 🙂 Regardless, it’s a wonderfully gripping horror thriller novel. Yes, whilst it didn’t quite evoke the feeling of wide-eyed awe that I felt when I read this novel for the very first time, it’s still a very gripping and well-written novel.

If I had to give it a rating out of five, it would just about get a five.

The Complete “Work In Progress” Line Art For My “Damania Retracted” Webcomic Mini Series

Sorry that it’s a day late, but here’s the “work in progress” line art for my recent “Damania Retracted” webcomic mini series.

If I remember rightly, there weren’t really any major art/dialogue changes between the line art and the finished comics. Like with the previous couple of mini series, some of these comics used photo-based elements, so there are two missing panels in the second comic and the line art for the third comic looks a little bit different to usual.

As usual, you can click on each piece of line art to see a larger version of it.

Anyway, enjoy 🙂

“Damania Retracted – Eurovision 2018 (Line Art)” By C. A. Brown

“Damania Retracted – Pretty Tedious (Line Art)” By C. A. Brown

“Damania Retracted – Internet (Line Art)” By C. A. Brown

“Damania Retracted – Shibboleth (Line Art)” By C. A. Brown

Today’s Art (24th April 2019)

Well, today’s digitally-edited painting is based on this photo I took of a field on the side of Portsdown Hill last May. And, even though I was fairly tired when I made this painting, it turned out at least slightly better than I’d expected.

As usual, this painting is released under a Creative Commons BY-NC-ND licence.

“Portsdown Hill – Field” By C. A. Brown

Review: “Aliens: Rogue” By Sandy Schofield (Novel)

Note: Due to scheduling reasons, the “making of” line art post for my recent webcomic mini series won’t appear here until tomorrow. Sorry about this.

Well, although I’d originally planned to read something a bit more “high brow”, I was kind of in a stressed out mood and just wanted to read something fun. Something like the kind of novels I used to read all of the time when I was a teenager.

Then I remembered that I still hadn’t read the second half of a two-novel “Aliens” omnibus (that contains Robert Sheckley’s 1995 novel “Aliens: Alien Harvest” and Sandy Schofield’s 1996 novel “Aliens: Rogue”) that I’d bought second-hand a few months ago. So, this seemed like the perfect opportunity 🙂

So, let’s take a look at “Aliens: Rogue”. Needless to say, this review may contain SPOILERS.

This is the 1996 Orion (UK) paperback omnibus that contained the version of “Aliens: Rogue” I read.

The novel begins with the crew of a civilian spacecraft, captained by Joyce Palmer, emerging from suspended animation after a long voyage to a remote asteroid facility called Charon Base. The spacecraft is carrying a passenger called Mr.Cray to the facility, since he seems to have some kind of classified business there.

Meanwhile, in the former penal colony mining tunnels near the facility, a detachment of space marines are trying to catch an alien specimen for Professor Kleist, the ZCT Corporation scientist who runs the facility. Unfortunately, the experimental technology the marines are using to stun the deadly aliens doesn’t work perfectly and one of the marines is killed – prompting another marine to blast the alien to smithereens with his rifle. Watching on CCTV, Kleist is absolutely horrified…. about the death of one of his alien specimens.

After a brief meeting with Kleist, Joyce and her crew stay at the facility for a few days. Although Joyce is happy to meet her occasional lover, Hank, she soon starts hearing news of mysterious deaths and disappearances amongst the facility’s crew and decides to investigate…..

One of the first things that I will say about this novel is that, whilst it isn’t anything particularly new, it’s a hell of a lot of fun to read 🙂 Although the basic premise (an alien-filled research facility run by a mad scientist) is pretty much identical to S.D.Perry’s “Aliens: The Labyrinth“, the novel does a few interesting things with this premise.

This novel is as much of an action-thriller novel as a sci-fi horror novel, with the general tone and atmosphere of the novel reminding me a lot of the original “Red Faction” computer game.

In addition to lots of desolate mining tunnels, a lot of the novel focuses on several groups of characters (both civilian and military) who start a resistance movement against Kleist and his henchmen. So, in a lot of ways, this is also a dystopian novel too 🙂 Yes, the “plucky band of rebels” thing is a well-worn sci-fi/fantasy trope, but it’s handled in a really thrilling way in this novel, which will really have you cheering for the rebels.

Seriously, although it contains nothing especially new, this novel is the perfect blend of dystopian sci-fi, thrilling action and macabre horror fiction 🙂 Reading this novel is like watching a really fun late-night 1980s/90s B-movie, like “Fortress” or something like that.

As for the horror elements of this novel, they’re pretty good. Although this novel isn’t that scary, it certainly has a rather ominous claustrophobic atmosphere, in addition to lots of grisly moments of gory horror, creepy alien-based moments (including a giant genetically-engineered alien king) and plenty of scenes featuring Kleist’s evil experiments too. These horror elements complement the novel’s action-thriller elements really well and not only add more atmosphere and tension to the story, but also give it a bit more depth by allowing for more moments of human drama too.

As for characterisation, this novel is reasonably decent, with several of the civilian and military characters receiving enough backstory and emotional moments to make you care about what happens to them. Likewise, the space marines are also shown to be an efficient, courageous and resourceful team too. However, the evil Professor Kleist and his security guard henchmen don’t really get much in the way of backstory and mostly just come across as cheesy, melodramatic “villain” characters (which is kind of fun in a “corny B-movie” kind of way, though).

In terms of the writing in this novel, it’s reasonably good. This novel’s third-person narration is descriptive enough to be atmospheric whilst also being “matter of fact” enough to not only keep the story moving at a decent pace, but also to make it reasonably relaxing to read too. Even so, in the edition I read, the editor missed a few basic mistakes (eg: misspelling Cray’s name as “Clay” once, spelling “gel” as “jell” once etc..) to the point where these errors actually became noticeable.

In terms of length and pacing, this novel is reasonably good. In addition to being a fairly efficient 288 pages long, the pacing in this novel is fairly good. It starts off in a suitably ominous way before gradually building into a more traditional thriller (where chapters jump between two or three groups of characters, with lots of mini cliffhangers etc..) which remains fairly gripping throughout.

As for how this twenty-three year old novel has aged, it’s aged really well. Although the story has a fairly “1990s late-night TV” kind of atmosphere during a few moments, this just adds to the story’s enjoyably fun “cheesy B-movie” quality. But, like with S.D.Perry’s “Aliens: The Labyrinth”, this novel is pretty timeless thanks to it’s distant-future setting (which still comes across as reasonably futuristic).

All in all, whilst this novel doesn’t really do anything new, it is still a lot of fun to read. So, if you want to relax with the literary equivalent of a great late-night movie from the 1990s, then this novel is well worth checking out. Likewise, if you want a dystopian sci-fi horror thriller novel, then this is definitely one of the more enjoyable ones.

If I had to give it a rating out of five, it would get at least a four.