Well, I was still in the mood for some hardboiled fiction, so I thought that I’d take a look at a second-hand copy of Tade Thompson’s 2016 cyberpunk-influenced sci-fi thriller novel “Rosewater” that I’ve been meaning to read for a couple of weeks.
So, let’s take a look at “Rosewater”. Needless to say, this review may contain some SPOILERS.
This is the 2018 Orbit (UK) paperback edition of “Rosewater” that I read.
The novel is set in the Nigerian city of Rosewater in 2066. This city is only about ten years old, having been built around a mysterious alien bio-dome that fell to Earth. These alien visitations to Earth have not only had a major effect on geopolitics (with Russia, China and Africa becoming more powerful) but have also had a biological effect on the planet too. In addition to occasionally healing the sick, reanimating the dead, introducing new lifeforms and providing free electricity, the alien bio-dome has also caused some humans to become “sensitives”, or psychics.
Kaaro is a cynical, world-weary sensitive who works as part of a human firewall for a bank in Rosewater. Every day, he reads vintage novels to create interference to prevent rogue psychics from hacking into the bank. His co-worker Bola insists on setting him up on a date with her friend Aminat during a visit to one of the dome’s healing sessions. But, during the date, he receives a text from Section 45 – a mysterious branch of the country’s security services that Kaaro secretly works for. So, reluctantly, he goes over to their offices and extracts information from the mind of a tortured prisoner.
But, soon, strange things start happening. Kaaro gets psychic visits from a mysterious woman called Molara, his boss warns him about Aminat, some criminals are after him and, even worse, several of the other psychics start dying from a mysterious disease….
One of the first things that I will say about this novel is that it was a lot of fun to read 🙂 Imagine a combination of a spy/action/detective thriller novel, Jeff Noon’s “Vurt”, a William Gibson novel, Greg Bear’s “Blood Music“, Eric Brown’s “Bengal Station” trilogy, the irreverent time-jumping weirdness of something like Robert Brockway’s “The Unnoticeables” and maybe the “Ghost In The Shell: Stand Alone Complex” TV series and this might give you some vague clue of what to expect 🙂
So, I should probably start by talking about this novel’s sci-fi elements – which are really awesome 🙂 Not only is there a lot of good worldbuilding, showing all of the effects that alien contact has had on Earth, but it is also one of those interesting cyberpunk-style novels which doesn’t actually involve the internet.
Like with the hallucinogenic feathers in Jeff Noon’s “Vurt”, this is a novel that features cyberspace-like scenes that take place within a psychic space called the “Xenosphere” (a traditional VR internet called “Nimbus” exists too, but it is just a background detail).
Not only does this lend the novel a slightly fantastical quality, but it is kept firmly in the sci-fi genre thanks to the inclusion of an actual scientific explanation for it and – by extension – a series of rules surrounding it. And, since this novel relies on the mind (rather than machines) for it’s virtual worlds, it can be a lot more surreal, interesting and just generally creative with these scenes.
Not only is this novel’s worldbuilding absolutely excellent but, like the best sci-fi, it is also completely original too. The aliens are quite literally alien, with the characters knowing enough about them to live near them but not knowing enough for them to be intriguingly mysterious at the same time. Likewise, I cannot praise the atmosphere and descriptions of the city of Rosewater itself highly enough. It’s a really interesting place 🙂
In keeping with the cyberpunk genre, the setting also contains some dystopian elements – however, in an interesting twist, they don’t come from the usual mega-corporations but from more realistic things like government, outdated legislation, mob justice, crime etc… instead. In other words, this novel feels really original 🙂
The novel’s thriller elements are also brilliant too. Not only is this novel written in a fast-paced way, but it also makes excellent use of things like suspense, intrigue, secrets, mini-cliffhangers, mystery and a few action sequences to keep everything compelling.
Another awesome thing about this novel is how it mixes the immediacy of first-person narration with the traditional thriller technique of multiple plot threads. Most first-person thrillers that attempt this use the awkward device of multiple first-person narrators – but this novel instead uses a series of flashback chapters set a decade or two earlier to provide a second plot thread without breaking the immersion by switching the narrator. These time jumps are also very clearly signposted (not only do they tell you the date and location, but they are also marked as “Then” or “Now”) which prevents them from being confusing or breaking the flow of the story 🙂
Plus, this novel also contains horror elements too 🙂 Seriously, these were a really brilliant surprise. In addition to some chilling moments of dystopian horror, there’s also a good amount of psychological horror, a few moments of gory horror, some surreal body horror, a brilliantly intense scene of monster horror and – even better – zombie horror too 🙂 Even though the zombies don’t show up that often, the fact that this novel blends the cyberpunk and zombie genres is really awesome 🙂
In terms of the characters, this novel is reasonably good. The narrator, Kaaro, gets the most characterisation and he’s a classic cyberpunk protagonist of the morally-ambiguous, world-weary and cynical type (who, like Deckard from “Blade Runner”, also works for an evil police force). But, thanks to his narration and intriguing backstory (and a few well-placed moments of humour), he comes across as a really interesting, realistic and surprisingly sympathetic character. Although the novel’s other characters get slightly less characterisation, they seem reasonably realistic and there’s enough characterisation for you to care about what happens to them.
As for the writing, it is excellent 🙂 This novel’s first-person narration is written in the kind of fast-paced, personality-filled way that you’d expect from a good sci-fi or horror thriller novel 🙂 Not only that, the narration also reads like a more understated and streamlined version of the kind of classic hardboiled cyberpunk narration that you’d expect from a writer like William Gibson 🙂 Plus, the narration still manages to remain descriptive enough to add atmosphere and bring the story’s settings to life too 🙂
In terms of length and pacing, this novel is really good. At 390 pages, it’s a little on the longer side of things – but is written in the kind of fast-paced way that won’t make this too much of an issue. The novel is paced like a thriller – with multiple plot threads, compelling suspense, lots of dramatic moments etc..- which also helps to avoid some of the slowness that is typically associated with science fiction. Plus, although this novel is very clearly the first novel in a series (there’s even a note about the sequel at the end), the main plot has enough resolution for the sequel hook/background cliffhanger at the end not to feel frustrating or unsatisfying.
All in all, this novel was a lot of fun to read 🙂 If you want a more innovative and imaginative version of the the cyberpunk genre that moves at twice the usual pace, includes lots of atmosphere, some well-placed horror elements and an interesting premise, then this novel is well worth reading 🙂
If I had to give it a rating out of five, it would get a five.