Well, for today, I thought that I’d talk very briefly about a simple traditional drawing technique that I discovered when making one of the paintings that will be posted here later this month.
This was one of those times when I was making the preliminary sketch for a painting and suddenly thought “wouldn’t it be interesting if I tried this?” Only to later discover a new drawing or painting technique.
Anyway, I’ll be talking about how to draw backgrounds that can be seen through rain-covered windows. Even though I worked out a “realistic” way of doing this back in late 2014/ early 2015, it relied heavily on using digital tools after scanning the original painting (eg: the “smudge” tool in GIMP if anyone is interested). This is what my old digital technique looked like:
But, I was curious about whether a similar technique can be achieved through traditional means. It can, but the technique I used is a lot more subtle and a lot less instantly noticeable than simply blurring/ smudging the background digitally.
In fact, it’s very similar to the technique that most artists use when drawing objects that have been submerged in water. In other words, all you have to do is to make all of the lines in your drawing slightly wavy. After you’ve done this, then all you need to do is to add the usual thin diagonal lines in order to signify that it’s raining.
However, unlike when underwater objects, you want to make the wavy lines a lot more subtle. In other words, just make the lines slightly wavy rather than very wavy. Here’s a quick chart that I knocked up in MS Paint to show you what I mean.
In addition to this, it might also be worth using techniques similar to those used for drawing and/or painting foggy landscapes. Namely that the further away from the foreground something is, the lighter and blurrier it should be. I forgot to use these techniques when I was experimenting with drawing rainy windows, but I can see how it might be useful.
Anyway, here’s an example of the technique in action – taken from the painting that I’ll be posting here later this month. Although I made my usual digital adjustments to the brightness/contrast/ saturation levels in this picture (as well as covering up a couple of small mistakes), I didn’t use any digital blurring effects:
As I said, I didn’t use any “fog” techniques in this painting and the “rainy window” effect is also not really as noticeable as it would be if I’d used digital blurring techniques instead. But, it was still an interesting learning experience and it might be something that is worth experimenting with if you’re making traditional art.
Sorry for another ridiculously short article, but I hope that this was useful 🙂