Well, I thought that I’d talk very briefly about making webcomics again since I’m kind of busy making a webcomic mini series for late February at the time of writing. In particular, I’ll be talking about a couple of the basic ways that you can improve your webcomic by thinking of each webcomic update as a whole.
For example, here’s a reduced-size preview of one of my comic updates from the mini series I’m making at the moment. Yes, I also previewed part of this one yesterday – although I’ll need to show you a (shrunken) version of the full update to illustrate what I’m talking about here.
One of the first things that can help your comic updates to look better is to pay attention to the colour scheme of the whole update. Try to make sure that the predominant colour or colours in each panel goes well with the rest of the comic (reading about complementary colours might help you here), but that there is also some variety between the colours used in each panel.
For example, here’s another version of the preview with the approximate main colours in each panel highlighted. As you can see, it mostly uses both an orange/blue colour scheme and a black/purple one (with an orange/purple scheme in one panel and – although it isn’t included in the chart – a slight yellow/purple one in the first and last panel).
Although the mixing of these colour schemes isn’t entirely perfect, it helps to add some visual variety to the comic, whilst also avoiding any of the panels clashing with each other too much.
Taking a step back and thinking about your comic update as a whole can also help you to save time with the art too. If you look again at the preview that I’ve shown you, only three of the panels have detailed backgrounds. In case you can’t see it, here’s a chart:
Because the detailed panels are spread out between both horizontal “rows” of the comic, this allows me to make a more manageable number of detailed backgrounds whilst still giving the impression that the whole comic is more detailed than it actually is.
After all, the reader never has to go more than one or two panels without seeing a detailed background. So, the comic seems more detailed than it actually is – especially when read quickly. Doing something like this also helps to avoid the visual boredom that can come from seeing lots of undetailed backgrounds next to each other.
Those were just a couple of the ways how looking at your comic update as a whole can improve your comic. You can make your comic updates more instantly visually appealing through the choice and placement of colours, and you can save time by varying the level of background detail in sneaky ways. But, these things only work if you consider each comic update as a whole.
Sorry for the short and basic article, but I hope it was useful 🙂