When it comes to writing interesting stories and/or making interesting comics, one thing that can often be overlooked is the contrast between the different settings in your story.
You’d be surprised at how much more interesting, dramatic, fascinating, memorable and/or atmospheric a story can be if there is a large enough amount of contrast between the various locations within it.
When I’m talking about contrast, I’m not talking about just making sure that all of your settings look different from each other (although this can work, especially in comics), I’m talking about all sorts of other things too.
I’m talking about things like the atmosphere of a particular setting, the history/ culture of it, the attitudes of the people who spend a lot of time there etc… I’m sure you get the idea.
There are several reasons why making sure that there’s a large amount of contrast between the settings in your story is a good idea. The first is that it it adds a lot more variety to your story and, well, having a large amount of variety in your story is one of the easiest ways to stop your readers from getting bored.
But, the most important reason to keep a decent amount of contrast between the settings in your story is because it can be used for emphasis. What do I mean by this? Well, things tend to stand out a lot more when they’re next to something totally different. For example, a small green LED light might not be that noticeable in the middle of a bright LED display, but it will probably be a lot more noticeable if it’s in the middle of a dark room.
So, if you want to emphasise the fact that one of your settings is a good place, a bad place, a strange place, a boring place etc… then one of the easiest and most effective ways to do this is to include another setting which is pretty much the complete opposite of your original setting.
In case you’re puzzled by all of this, I thought that I’d give you a few examples of what I’m talking about. One good example of a series of novels with a high amount of contrast between the settings in them are Clive Barker’s “Abarat” novels.
Although it’s been a few years since I read these novels, they mostly take place on a mysterious group of twenty-five islands, each of which represents one hour of the day (including a mysterious twenty-fifth hour).
Needless to say, each of these islands is startlingly different from the others and this means that, not only are the islands that you do get to see really interesting – you’re also a lot more curious about the islands that you don’t get to see. Why? Because you know that they will be totally different from the islands that you’ve already seen.
A good televised example of this can also be found in an old TV series from the 1990s called “Babylon 5” . This is a show that is set aboard a neutral space station where diplomats from various planets can meet to talk. Trust me, it’s a lot more interesting than I’ve made it sound.
Anyway, as the show goes on, it’s quite interesting to see that – despite whatever terrible things happen on other planets – the space station is almost always a safe haven for democracy, freedom, understanding etc….
But, if it wasn’t for terrible things happening on other planets, then the space station would probably be something of a boring choice of setting for a sci-fi show. But, because there’s such a huge contrast between the station and various other parts of the universe, it’s a far more interesting location than it should be.
Of course, this technique only really works with longer stories and comics. However, there’s no rule stating that you can’t use it in shorter stories and comics too – although obviously you’ll probably have to scale everything down slightly (eg: you could write a story about an interesting pub in the middle of a boring city centre etc…).
Anyway, I hope that this was useful 🙂