Review: “Greymood” (WAD For “Doom II”/”Final Doom”/ GZDoom)

Well, due to a combination of hot weather and the fact that I’d been feeling less motivated to read than usual, I’m still reading the next novel I plan to review (“Practical Magic” by Alice Hoffman 🙂 ). As such, this seemed like the perfect time to make sure that at least one “Doom II”/”Final Doom” WAD appeared here this month, given that I almost broke this hallowed tradition (thanks to playing some Build Engine games recently).

So, after clicking on the “Random File” button on the /idgames Archive, I ended up finding a WAD from 2017 called “Greymood“.

As usual, I used the “GZ Doom” source port (version 3.4.1) whilst playing this WAD, although it will also apparently work with Prboom+ 2.5.1.4 and Zandronum 2.1.2 (and presumably later versions of these ports too).

So, let’s take a look at “Greymood”:

“Greymood” is a medium-size single-level WAD that also contains new textures, skyboxes and music. Given that the WAD’s text file points out that it was inspired by a depressive mood, you should expect a level that is more on the gloomy and gothic side of things. This is both a good thing and a bad thing.

On the plus side, this WAD is very atmospheric and contains a good mixture of wintery segments, “hell”-style segments and segments that reminded me a little of a game like “Quake”. In addition to some wonderful dirge-like music and a few new textures (eg: a grey skybox, new switches etc…) that really adds to the atmosphere, some segments of this WAD also have really cool-looking lighting that is an absolute joy to look at.

I especially love how these ominous iron bars break up the grey sky texture, whilst also lending a vaguely industrial look to this part of the level.

And the minimal wall-based lighting in this “hell” area also reminds me a lot of the original “Quake” too 🙂

On the downside, this WAD’s visual gloom can sometimes go a little bit too far – with some areas consisting of almost impenetrable darkness that can make it difficult to find switches and/or where to go next. Although this is probably a visual metaphor for the mood that inspired the level, expect to rely on either trial and error or the in-game map in order to navigate a few parts of the level.

Yes, darkness looks cool. But, you really can have too much of a good thing.

But, enough about the visual design, what about the actual gameplay? Well, this level is one that experienced players will probably find at least moderately challenging and is also a relatively mild introduction to the “slaughtermap” genre of WADs for newer players. In other words, although a lot of the level plays out like a fairly traditional “Doom II” level, expect a couple of segments where you are trapped in small-medium sized arena areas with more monsters than you can fight.

And there are Arch-Viles too 🙂

These are reasonably fun, since you have to rely on things like tactics, hiding behind cover, circlestrafing and running past monsters to find switches. Even so, they are on the relatively easy side of things with – for example – the final “Icon Of Sin”-style segment containing a couple of invulnerability spheres. Even so, the WAD adds challenge in a couple of unexpected ways.

On the plus side, these spheres add some much-needed lighting to the gloom here 🙂

A lot of these consist of things that seem “frustrating” at first, until you notice all of the clever design choices. For example, you are given a BFG before the final battle, but it’s very easy to miss due to all of the shadows surrounding it. Likewise, whilst I won’t spoil too many details, the set piece you have to go through to get the red key is actually a very basic puzzle in disguise 🙂

This brings me on to the fact that this WAD takes a rather “traditional” attitude towards jumping, with the ability to jump being disabled by default. However, given that the level is designed around this limitation, it never really feels too much like a limitation.

As for the actual design of the level, it’s really good 🙂 It’s has enough non-linearity to require exploration, whilst also being laid out in a way that ensures that you’ll usually know where you’re supposed to go next. It also contains a good mixture of traditional-style segments and small-medium sized arena battles, that help to keep the gameplay feeling varied.

All in all, this is a rather fun level. Yes, the lighting can sometimes be a little bit too gloomy and a couple of moments might seem a little frustrating at first, but this is a fairly solid, atmospheric and moderately challenging level that will provide 30-60 minutes of fun for experienced players 🙂

If I had to give it a rating out of five, it would get a four.

Review: “WARm Welcome 2” (WAD For “Doom II”/”Final Doom”)

Well, since I was still reading the next book I plan to review (“Survivor” by Chuck Palahniuk) and I wanted to make sure that at least one “Doom II” WAD review appeared here this month, I decided to take a quick look at a level from 2005 (?) called “WARm Welcome 2” which I found after clicking the “Random File” button on the /idgames Archive a few times.

Although I used the GZDoom source port whilst playing this level, it will probably work with pretty much any modern source port (and may possibly even work with the original DOS/ Windows versions of “Doom II” or “Final Doom”, although I haven’t tested it).

So, let’s take a look at “WARm Welcome 2”:

This is a fairly short single-level “vanilla” WAD (eg: it only uses the standard textures, monsters, music etc..) and, for what it is, it is actually fairly impressive. Although, with only low-mid level monsters, it isn’t too challenging (even if, like me, you’re very slightly out of practice) it contains some really cool set pieces and level design moments that make it stand out a little bit.

In addition to using a different theme for the textures in each area, the level also has a bit of a medieval theme – with a pitched battle against a small crowd of imps hiding behind a wall or a part of the level where you are fighting from the battlements of a castle against monsters on another set of battlements, this level looks really cool for a “vanilla” level 🙂

This battle against a group of imps hiding behind a wall is fairly small-scale but still seems more epic than it looks.

Woo hoo! This castle-like area is like “Game Of Thrones” 🙂

The level design is really good too, with the basic design of the level a very short – but mildly non-linear – trip through a few themed rooms that contain walls, bridges, stairs and other cool stuff like that. But, the most interesting thing about this level’s design is that you probably won’t see the best parts of the level during your first playthrough.

In other words, whilst it’s possible to complete the level in about five minutes whilst only seeing about four or five areas, this is a level that rewards exploration 🙂 And this is where the level design really shines. The level will give you tantalising glimpses of areas that aren’t immediately accessible (like the moat between the battlements, the space behind the wall etc…) and it is up to you to work out how to get there. Although this isn’t too difficult, these optional exploration segments add a bit of extra interest and life to this tiny level.

Yes, this area isn’t even a secret, but can be easy to miss if you don’t look for it.

They also have an interesting effect on the difficulty of the level. If, like me, you don’t bother looking for them on your first playthrough then the level’s combat is made mildly more challenging thanks to the fact that you’ll only have the pistol, basic shotgun and – later – chaingun at your disposal to fight the level’s 114 low-mid level monsters.

Which is about the only way to make a battle like this anything close to a challenge.

However, if you look for these areas, then you’ll find a few more powerful weapons that make the level an absolute breeze to complete. So, the difficulty level depends on how willing you are to explore – which is a really cool touch.

All in all, whilst this is a rather short and easy “vanilla” level, it is a reasonably fun one – with some cool-looking areas, a bit of interesting design and a welcome focus on exploration 🙂

If I had to give it a rating out of five, it would just about get a four.

Review: “Diabolus Ex 1.1” (WAD For “Doom II”/ “Final Doom”/ “GZDoom”)

Well, since I’m still reading the next novel I plan to review (“Lady Chatterley’s Lover” by D. H. Lawrence), I thought that I’d take the chance to review another “Doom II”/”Final Doom” WAD. And, after a bit of searching online for cyberpunk-themed WADs, I happened to find a really cool one called “Diabolus Ex 1.1“.

As usual, I used version 3.4.1 of the “GZDoom” source port whilst playing this WAD. Interestingly, this WAD actually comes with it’s own launcher/batch file – which tells GZDoom to use a custom config file that comes with the WAD (and, yes, I know this because I opened the file in Notepad to take a look at it after Windows flashed a security warning when I first tried to open it). So, it pretty much requires GZDoom to run.

So, let’s take a look at “Diabolus Ex 1.1”:

Woo hoo! Cyberpunk 🙂

“Diabolus Ex 1.1” is a single-level WAD that contains new textures, new music and a new skybox and is inspired by the more modern “Deus Ex” games. Although I’ve only played the older games in this series, you don’t really have to have played the games to enjoy this WAD – it’s a cyberpunk level set within a giant skyscraper which you need to reach the top of.

Like with the game series that inspired it, there are multiple ways to complete the level and an emphasis on exploration too. Interestingly, the WAD also includes some limited stealth elements – where you can sometimes dodge monster fights if you’re willing to either be sneaky or to look carefully.

For example, if you walk through a set of sensor beams, these monsters will be released.

But, if you find a hidden switch nearby, then you can bypass the sensor beams and avoid the monster fight.

So, yes, the gameplay itself is also “Deus Ex” inspired too. Not only is this really cool, but it also lends the level a certain amount of replay value too (for example, I only discovered the way to bypass some monster battles after I’d fought the monsters etc…).

Even so, this is still very much a traditional “Doom II” level, where the emphasis is on fast-paced combat. Thanks to careful rationing of health items and the many claustrophobic corridors and rooms that you’ll encounter (plus a few arena-style areas for variety 🙂 ), this WAD’s combat is enjoyably suspenseful.

Whilst it’s probably theoretically possible to do a pacifist run of this level, it is very much a traditional FPS level too 🙂

But, although the level contains an arch-vile and two boss battles, experienced players will probably find this level is to be slightly on the easier side of things (thanks to lots of low-level monsters and only a few mid-level ones), whilst still being just about challenging enough to still be fun 🙂

Although there’s only one of them here, it’s always fun to see an Arch-vile 🙂

However, the level’s combat is only half of the fun. As I mentioned earlier, this level places quite a bit of emphasis on exploration and this is really fun. Not only will there be interesting areas that you’ll probably miss on your first playthrough of the level – but there are numerous secret areas and passages (including an entirely optional part of the level, that I only found on my second playthrough) that can be found if you’re willing to look for them.

Not only that, the level itself just looks really amazing too. The new textures and skybox really help to add a lot to it 🙂 Although the aesthetic is slightly more “modern cyberpunk” than “traditonal cyberpunk”, there’s still plenty of neon lights, cool cityscapes and other awesome locations. Plus, in true cyberpunk fashion, a segment of the level also takes place in cyberspace too 🙂 Seriously, this is a really cool-looking level 🙂

For example, it has this awesome “Blade Runner”-style skybox 🙂

And what cyberpunk level would be complete without a quick trip to cyberspace 🙂

As for the music, it is the kind of dramatic electronic music that you’d expect from something inspired by “Deus Ex”. Since I haven’t played any of the modern games in this series, I can’t be certain whether or not the music comes from one of these games, but it certainly sounds like the kind of music you’d expect from anything “Deus Ex”-related 🙂

All in all, this is a really great level 🙂 Not only does it look really cool, but it also contains a focus on exploration, an awesome cyberpunk atmosphere and some gameplay inspiration from the “Deus Ex” games 🙂 Yes, experienced players won’t find it to be too much of a challenge, but it’s still a really fun level that – thanks to the design – also has some replay value too.

If I had to give it a rating out of five, it would get a five.

Review: “Marbellous” [WAD For “Doom II”/”Final Doom”/”GZDoom”]

Well, since I’m still reading the next novel I plan to review (“The Apprentice” by Tess Gerritsen), I thought that I’d take a quick look at another “Doom II”/”Final Doom” WAD.

And, after clicking the “Random File” button on the /Idgames Archive a few times, I found myself looking at a WAD from 2012 called “Marbellous“.

However, I should point out that this WAD uses the level 25 slot (for some bizarre reason). So, when playing it, you’ll have to type “IDCLEV25” during gameplay to jump to this level.

I also ended up using an older version (1-8-06) of the “GZDoom” source port whilst playing this WAD, since the list of ports in the readme file didn’t mention ZDoom and I wasn’t sure if it contained any port-specific features. However, upon actually seeing the level, it will probably work with pretty much any limit-removing source port (including my favourite, ZDoom).

Anyway, let’s take a look at “Marbellous”:

“Marbellous” is a medium-length single level WAD that, as mentioned earlier, uses the level 25 slot. Although the readme file states that the WAD also includes a new texture, I didn’t really notice it and the overall look of the WAD is fairly “classic” (with an emphasis on marble textures, hence the name).

In terms of the level design, “Marbellous” is really good. This is an old-school style non-linear level that contains a really good mixture of corridors, arena-like areas, simple switch/combat puzzles, cool-looking areas and clever design (eg: parts of the level loop back on themselves).

Seriously, this area looks really cool 🙂

Likewise, this arena near the end of the level looks pretty cool too 🙂

Seriously, the level design is complex enough to force you to think and explore, but simple enough that – on the rare occasions where you don’t know where to go next – it won’t usually take you too long to work it out 🙂

In terms of the gameplay, it is enjoyably challenging 🙂 Whilst this probably isn’t a level for novice players who haven’t learnt all of the usual tactics and strategies, experienced players will probably find this level moderately challenging.

This challenge is achieved in the early parts of the level via careful rationing of ammo and weapons, with the best moment being when you have to fight an Arch-vile using just the pistol and the basic shotgun. Needless to say, this is a fairly good combat-based puzzle where you’ll have to use tactics and strategy 🙂

Ah, with many of the easier levels I’ve been playing recently, I’d almost forgotten how awesome THESE are 🙂

Later on in the level, the challenge is achieved through the use of monster placement. This is a level that contains a lot of low-level monsters, a reasonable number of mid-level monsters and a few well-placed high-level monsters.

In other words, a fun traditional-style level 🙂

The best example of this is probably the level’s Cyberdemon arena, which you’ll first encounter when you don’t really have enough weaponry for it. Like the best “Doom II” levels, this area is something of a combat-based puzzle, where clever strategy, lateral thinking and experimentation are required 🙂 The arena is also laid out in a way where it won’t take you too long to work out what you’re supposed to do to progress.

And, yes, getting to this point is a bit more complex – and fun – than you might initially think 🙂

All in all, this level is a really fun way to spend an hour or so. The level design is really good, not to mention that the combat remains enjoyably challenging throughout the level too 🙂

If I had to give it a rating out of five, it would get four and a half.

Review: “Christmas Tree” (WAD For “Doom II”/”Final Doom”/ “ZDoom”)

Well, since I’m still reading the next horror novel I plan to review (“The Vampire Armand” by Anne Rice), I thought that I’d take the chance to review another “Doom II”/”Final Doom” WAD 🙂

And, after clicking the “Random File” button on the /Idgames Archive a few times, I found myself looking at a WAD from 2011 called “Christmas Tree“.

As usual, I used the “ZDoom” source port whilst playing this WAD. According to the text file accompanying the WAD, it is designed for ports (ZDoom and GZDoom are listed as examples) that support 3D floors.

So, let’s take a look at “Christmas Tree”:

“Christmas Tree” is a rather cool little single-level WAD that also possibly includes new music (or it could be one of the standard pieces of music that I don’t remember).

The premise of this WAD is that you have to defeat most of the monsters in the level in order to complete it. So, like a trimmed-down “Slaughtermap” level, this level is something of an arena. But, the level does some rather innovative stuff that sets it apart from a traditional “Slaughtermap” level.

Yes, this is a clever twist on a familiar style of level 🙂

For starters, the difficulty level is something that practiced players will find moderately challenging, rather than fiendishly difficult. Unlike a slaughtermap, where there are too many enemies to fight (thus turning the level into a challenging fast-paced puzzle), you actually have to defeat almost all of the enemies here.

As such, the difficulty level is a little bit more forgiving, with a large arena and lots of weapons, health etc… scattered around to give you a fighting chance. This also makes the gameplay feel a little bit like the classic “Serious Sam” games too 🙂

One interesting way that this level adds some challenge is via the use of pain elementals. Although the large arena means that there is plenty of room to duck, dodge and circlestrafe, this is a level where the sky will quickly become orange with lost souls that will zip at you from every direction. Interestingly though, at least some of these don’t count towards the number of monsters you have to defeat before the level ends.

Yes, these little monsters become more of threat than you think during this level.

The level design is also really good too. Although you might be a bit confused about what to do (and the relative lack of weapons) at the very start of the level, it won’t take you long to find the teleporter that drops you on top of the Christmas tree. The tree is made out of four platforms of varying sizes that mostly serve as brilliantly-balanced mini-arenas 🙂

Although you’ve got the constant threat of lost souls to contend with, the difficulty in these mini-arenas is handled really well. Although the top of the tree is just there to give you a few items, the smaller circles of the tree contain fewer monsters but also fewer items and less room to dodge/strafe (and vice versa with the larger circles). Plus, the tension between staying on the tree and jumping off it to the relative safety of the arena below also adds a bit more depth to the gameplay too 🙂

Yes, this level is kind of like four micro levels in one 🙂

All in all, this is a really fun and well-designed little level 🙂 It’s thrilling, complex and really well-balanced 🙂 If you’re an experienced player and want to enjoy yourself for 20-30 minutes, then this level might be worth checking out 🙂

If I had to give it a rating out of five, it would get four and a half.

Review: “Rienzi (Release 6)” [WAD For “Doom II”/”Final Doom”/”ZDoom”]

Well, since I’m still reading the next horror novel that I plan to review (“The Ritual” by Adam Nevill), I thought that I’d take a quick look at a “Doom II”/”Final Doom” WAD today. After all, it’s been almost a month since my last WAD review.

And, after clicking the “Random File” button on the /Idgames Archive a few times, I found myself looking at a WAD from 2011 called “Rienzi (Release 6)“.

As usual, I used the “ZDoom” source port whilst playing this WAD, although it will probably work with GZDoom etc.. too. However, according to the readme file, it may not run with vanilla “Doom II”/”Final Doom” or the Chocolate Doom source port. Likewise, be sure to enable jumping in whichever source port you use.

So, let’s take a look at “Rienzi (Release 6)”:

“Rienzi (Release 6)” is a short to medium length single-level WAD that also contains a couple of new textures/animations too.

One of the first things that I will say about this level is that it has a really good difficulty curve and weapon progression. In the early parts of the level, you’ll be fighting zombies and imps with the pistol before gradually encountering better weapons and more powerful monsters.

If, like me, you’re slightly out of practice with “Doom II” then this level is a good way to reintroduce yourself to it. It’s challenging enough to be fun, but forgiving enough not to be frustrating. In other words, it’s a mildly-moderately challenging level.

So, yes, if you’re out of practice with “Doom II”, then this is a rather fun level 🙂

In terms of the level design, it’s really good. The level contains a really good mixture of gloomy claustrophobic areas and large bright arena-like areas, which help to keep things interesting. Plus, although the early parts of the level seem to be fairly linear, the level quickly turns into the kind of proper non-linear level you’d expect from a real FPS game like “Doom II”.

One strange thing about this level is the keys. Although there are three skull keys hidden throughout the level, the door that they open doesn’t seem to be clearly marked. Still, they encourage the player to search the level thoroughly – which is important because, in the classic fashion, progression at one point depends on finding an unobtrusive passage. Likewise, if you want the plasma rifle, then prepare to look for secret areas.

Yes, this gun is actually a secret item in the level.

In terms of the textures and visual design, this level is really good 🙂 The new textures consist of some animated flames and a suitably fiery teleportation animation when the Cyberdemon appears:

Yes, THIS is “Doom II” 🙂

For the most part, the level uses the standard textures – but thanks to some wonderful lighting and a cool-looking tower in the later part of the level, everything looks really cool 🙂

There is some really awesome lighting here 🙂

Seriously, this looks wonderfully ’90s in the best way possible 🙂

All in all, this is a well-designed level that will provide half an hour or so of fun 🙂 There’s a good difficulty curve, some cool-looking areas and a decent amount of variety too.

If I had to give it a rating out of five, it would get four and a half.

Review: “Butcher” (WAD for “Doom II”/ “Final Doom”)

[Well, due to a scheduling mishap, enjoy this bonus review today. Apologies in advance if there’s an article/review missing on any day in the future (and I’m still not sure why there were two scheduled for today).]
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Well, since I’m still reading the next novel I plan to review (“The Deep” by Nick Cutter), I thought that I’d take the chance to look at another “Doom II”/”Final Doom” WAD. After all, it’s been about three weeks or so since my last WAD review.

And, after clicking the “Random File” button on the /Idgames Archive, I found myself looking at a WAD from 1995 called “Butcher” by none other than Milo Casali, of “Final Doom” fame 🙂

As usual, I used the “ZDoom” source port whilst playing this WAD. However, given the level’s age, it will probably run on pretty much any source port. In fact, it’ll probably run on the original DOS version of “Doom II” too.

So, let’s take a look at “Butcher”:

As you may have already guessed, this is an earlier “work in progress” version of level nine from Final Doom’s “The Plutonia Experiment” episode. Given that this is my favourite ‘official’ Doom II episode (especially the twenty-ninth level, “Odyssey Of Noises”) and it is an episode that I’ll replay every now and then, it was really cool to see an earlier version of part of it 🙂

For the most part, the level is pretty much identical to level nine of “The Plutonia Experiment”. In other words, it is a reasonably challenging and slightly non-linear medium-length level that contains a few small arena-style battles, some well-placed monster closets and a few moments of more claustrophobic combat.

So, yes, it’s the same traditional – but challenging – type of “Doom II” level that you would expect 🙂

Given how amazingly fun, well-designed and re-playable “The Plutonia Experiment” is, playing this level was an absolute joy – even if I already knew where everything was and how to complete it. But, I suppose that I should probably talk about the differences between this level and the final commercial version of it.

In short, there aren’t many. Although the comments on the web page for the level tipped me off to the fact that the very final room of the level is smaller, easier and more primitive than the final version, the only other difference I was able to spot was the fact that the items in the secret area in the blue key room were slightly different.

Yes, the level is a lot more generous here, compared to the finished version.

The most noticeable difference is this final room. Not only is it smaller and less complex, but there are also far fewer monsters too.

All in all, there isn’t that much to say about this level. If you’re a fan of “The Plutonia Experiment”, then it is an interesting curio. If you’ve never played “Final Doom”, then this level will give you a taste of what to expect from the best official “Doom” game. Yes, the official version of this level is marginally better than this earlier “work in progress” version, but it is still an incredibly fun level 🙂

If I had to give it a rating out of five, it would get four and a half.

Review: “Impact” (WAD For “Doom II”/”Final Doom”/”ZDoom”)

Well, since I’m still reading the next novel I plan to review (“Linesman” by S. K. Dunstall), I thought that I’d take the chance to take a quick look at another “Doom II”/”Final Doom” WAD.

So, after clicking the “random file” button on the /idgames Archive a couple of times, I ended up with a single-level WAD from 2017 called “Impact“.

As usual, I used the “ZDoom” source port whilst playing this level. However, since this is a “vanilla” level (eg: it only uses the standard textures, monsters etc..), it will probably work with pretty much any source port and/or mods that you want (although, obviously, I didn’t use mods in this review).

So, let’s take a look at “Impact”:

“Impact” is a short single-level WAD that, according to the accompanying text file, is both the mapper’s first map and an attempt to create an introductory level for new players that also follows John Romero’s design principles. And, when viewed with these things in mind, the level actually works reasonably well.

Needless to say, this is a very easy level. But, whilst experienced players will blaze through it in less than five minutes, the moderate number of low-level monsters will probably present a bit of an enjoyable challenge for inexperienced players.

It’s probably more challenging than the original “E1M1”, but reasonably easy compared to most other levels.

For an easy introductory level, this level actually has a fairly good monster progression, weapon progression and difficulty curve, since the level initially starts by throwing smaller groups of zombies and imps at the player, before a rather cool set-piece featuring a room lined with zombies (where the player is given a chaingun) and a short final segment that also includes a pink “demon” monster too.

If you’re a new player, then I imagine that this set piece will probably be a lot more intense/dramatic.

In terms of level design, this level is very short and very linear…. just like E1M1 from the original “Doom”, which seems to be one of it’s inspirations. There are a couple of very small side areas to explore at the beginning, but the level progresses along a single, focused path. Given that this is meant to be an easy level for new players, this is probably a good design choice.

Still, there are a good variety of areas here (including a cracked floor that reminded me a little of Romero’s modern WADs, like “Tech Gone Bad) that keep the level visually interesting and help to create a sense of progression.

This cracked floor looks really cool, plus the raised area is a tantalisingly visible part of a secret area too.

Likewise, one cool feature of this level is that several secret areas are clearly visible, but difficult to get to – which provides a little bit of extra challenge and/or replay value. Not only that, this sort of thing is also a cool homage to the level design of the original “Doom” too.

All in all, this level fulfils it’s goals really well – it is a forgivingly easy and short introductory level that is also a bit of a homage to the original “Doom” too. Yes, if you’re an experienced player, then this level will just be three minutes of mindlessly easy fun. But, I can imagine that it will probably be a lot more enjoyable and a bit more challenging for the novice players that it is aimed at.

If I had to give it a rating out of five, it would probably get about a four.

Review: “Frost Bitten” (WAD For “Doom II”/ “Final Doom”/ “MBF Engine” [?]/ “ZDoom”)

Well, since I’m still reading the next novel that I plan to review (a Lovecraftian “Scooby Doo” parody called “Meddling Kids” By Edgar Cantero), I thought that I’d take a look at a “Doom II”/”Final Doom” WAD. After all, it has been a little under a month since my last WAD review and, well, tradition is tradition.

So, after clicking the “Random File” button on the /idgames Archive a few times, I ended up with a level from 1999 called “Frost Bitten“.

Although this WAD was apparently designed for a source port I’d never even heard of before called “MBF Engine”, it was mostly functional with the “ZDoom” source port that I usually use. However, one feature mentioned in the readme file (friendly monsters) didn’t work with ZDoom.

Anyway, let’s take a look at “Frost Bitten”:

“Frost Bitten” is a single-level WAD that also includes some new textures and features. It’s a short to medium-length level with some cool lighting, cool area design and a reasonably good variety of gameplay styles too.

Seriously, the lighting here is really awesome 🙂

As for the level design, the level is non-linear enough to be interesting but it flows really well enough that you won’t really get lost. The level design is also used to add challenge to the level in a few interesting ways, some of which are cool and some of which are a little bit cheap.

On the plus side, the level features this wonderfully tense segment where you have to explore a dark and claustrophobic air vent maze (which doesn’t show up on the in-game map) that is patrolled by spectres. Since you can usually hear the monsters, but can’t see them, and since you’ll probably also have relatively limited health and weapons, this segment of the level is surprisingly suspenseful and even borders on scary at times 🙂

Yes, this part of the level is actually scary 🙂

On the downside, there are a couple of cheap moments. Whether it is a (relatively) close-quarters Cyberdemon fight or a segment where you have to jump into a fast-flowing stream of blue radioactive waste and then stop moving at exactly the right moment to avoid certain death (and, yes, it’ll require a bit of trial and error), the level does occasionally include some cheap difficulty.

In terms of the general difficulty of the level, it’s probably moderately challenging at the very most. Experienced players won’t have too much trouble with this level and, even the Cyberdemon fight that I mentioned isn’t exactly unfair. You’re given enough ammo and just enough cover, but expect a relatively long fight with lots of trial and error.

If you’re an experienced player, then this fight isn’t exactly difficult. But, it is kind of time-consuming….

The new textures are reasonably good and they mostly consist of small signs, vending machine logos etc.. in addition to some rather cool snowy outdoor areas too. The best one of these is probably at the beginning of the level, where there is actually animated “snow” that hangs in the air. Although the animation is relatively basic, it still looks really cool and I wish that it had been used in the other wintery parts of the level.

Seriously, why wasn’t this in the later parts of the level too?

As mentioned earlier, I couldn’t get the “friendly monsters” feature to work with the source port I used – but some of the other features still worked. These mostly include things like underwater areas, small air vents and raised passageways which the Doomguy will automatically crouch into or jump onto when you walk up to them etc… Although this stuff might not sound that impressive these days, it was probably quite a technical achievement in 1999.

All in all, this is a fairly cool level 🙂 Yes, it does have a few annoying or frustrating moments, but if you want a reasonably interesting short-medium length level that includes the kind of features you don’t see that often in 1990s Doom WADs, then this one might be worth taking a look at.

If I had to give it a rating out of five, it might just get a four.

Review “The Phantom Of The Opera” (WAD for “Doom II”/”Final Doom”/ “ZDoom”)

Well, since I’m still reading the next novel I plan to review (“Fall Of Night” by Jonathan Maberry), I thought that I’d take the chance to look at another “Doom II”/”Final Doom” WAD, since it’s been about two or three weeks since my last WAD review.

And, after clicking the “random file” button on the /idgames Archive a couple of times, I ended up with a single-level WAD from 2005 called “The Phantom Of The Opera“.

As usual, I used the “ZDoom” source port to play this WAD, although it will probably work with almost any other source port. However, since this WAD uses a couple of the WW2-themed “Wolfenstein 3D” textures and enemies from Doom II’s secret levels, this WAD may not work with censored versions of the game (eg: the BFG edition and/or the German version of the game).

So, let’s take a look at “The Phantom Of The Opera”:

The level takes place in two different areas, an opera house-style area and some underground tunnels/crypts.

Given that the level only uses the standard textures (including the “Wolf 3D” ones from the secret levels), these areas are fairly well-designed and they look reasonably close to what they are supposed to be (for example, in order to progress to part of the opera house, you have to walk through a curtain. Likewise, there’s a boat that teleports you to another part of the level etc..).

What do you mean, unsafe? It looks perfectly seaworthy to me!

And, for something made with the standard textures, this opera house looks pretty impressive, if a little small.

In addition to this, the level also tries to add a bit of visual/combat variety by using a couple of enemies and a portrait from Doom II’s WW2-themed “Wolfenstein 3D” secret levels.

But, although this WW2-related stuff adds a bit of extra content to the level, it does seem at least slightly out of place in a level that is supposed to be set in 19th century France.

The level design itself is reasonably good, with the level being a non-linear level which is also small/streamlined enough that you’ll never really get lost. Like in any classic “Doom II” level, you’ll be searching for keys in order to progress (and these are pretty easy to find). Likewise, there are a few secrets to find too. Although the very first one is pretty easy to find, there’s a well-designed secret involving a piano/organ, which was kind of cool.

The level’s difficulty is kind of interesting. Although there aren’t that many monsters, the level achieves a certain level of challenge by heavily rationing the amount of ammo available to you.

If you find the blue health sphere near the beginning of the level, then this won’t be too much of a problem – but this is one of those levels where you have to know when to fight and when to run. This is especially true in the final segment of the level, when you are faced with multiple arch viles (and have little to no ammo).

Well, it wouldn’t be a “Doom II” level without THESE!

Surprisingly, this adds a bit of extra fun to the level, since you’ll have to use all of the reflexes and tactics that you’ve learnt from playing other levels. Likewise, the sheer number of arch viles near the end means that the final segment is much more like a basic puzzle (eg: you have to work out what to do and how to do it quickly) than a combat segment, since you can’t possibly fight all of the arch viles.

Even so, experienced players will find this level to be very much on the easier side of things. Even so, it’s still fairly fun.

In terms of music, this level uses the standard “Doom II” music – which is kind of annoying, given that it is meant to be based on The Phantom Of The Opera.

All in all, this is a fun and well-designed – but rather short and relatively easy level – that is a fun way to spend 10-15 minutes. It’s interesting to see someone trying to recreate The Phantom Of The Opera (even with some anachronistic WW2-era elements).

If I had to give it a rating out of five, it might just get a four.