Review: “Torchwood: Long Time Dead” By Sarah Pinborough (Novel)

Well, a week or two before I wrote this review, I was reminded about the sci-fi horror TV show “Torchwood” after talking to a relative about “Doctor Who”. This then stirred a vague recollection of seeing Torchwood-themed books in bookshops ages ago.

After a quick internet search, I ended up getting second-hand copies of a couple of these books. So, for today, I thought that I’d look at Sarah Pinborough’s 2011 novel “Torchwood: Long Time Dead”. After all, it was apparently a prequel to the only complete series of “Torchwood” that I’ve actually seen (eg: the “Miracle Day” series from 2011).

Interestingly, although this novel references the TV show a few times, there are enough explanations and recaps for the story to be enjoyable if you’ve only got vague memories of the show or if you haven’t seen it. Likewise, this novel also tells a fairly self-contained story too.

So, let’s take a look at “Torchwood: Long Time Dead”. Needless to say, this review may contain some SPOILERS.

This is the 2011 BBC Books (UK) paperback edition of “Torchwood: Long Time Dead” that I read.

The novel begins with a government scientist called John Blackman exploring the burnt-out ruins of a secret underground facility with orders to recover any technology found within it. He hears someone groaning and, to his surprise, finds a woman lying on the ground in one of the rooms. Her stomach starts to glow red. But, before John can talk to her, she stabs him with a shard of glass.

Meanwhile, in Cardiff, a detective called D.I. Cutler is spending some free time watching a mysterious government site that has sprung up in the city after a terrorist attack three weeks earlier. He doesn’t quite understand why, but he has become obsessed with this strange site.

Back underground, the site’s commander – Elwood Jackson – discovers John’s grisly corpse and is shocked to find that his eyes are missing. Whilst all of this is going on, the resurrected woman, former Torchwood agent Suzie Costello, has managed to sneak out of the facility and travel to a safety deposit box she set up in case of emergencies. However, to her surprise, she finds that she has an urge to kill again…

One of the first things that I will say about this novel is that it’s a fairly compelling sci-fi horror thriller that also vaguely reminded me of classic 1980s horror fiction (eg: Shaun Hutson, James Herbert etc..) too, which is never a bad thing 🙂

In terms of the novel’s horror elements, they’re really good. Although this novel contains a few moments of gory horror and also uses the classic splatterpunk technique of introducing several random background characters who only survive for a single chapter, the main types of horror in this novel are psychological horror, cosmic horror, paranormal horror, implied horror, death-based horror, tragic horror and/or character-based horror.

These types of horror work really well and, although they aren’t usually outright scary, they help to add a rather ominous and creepy atmosphere to the story. Not only will the reader occasionally find themselves sympathising with the story’s creepy villain, Suzie Costello, but the novel’s themes of death and trauma and it’s vaguely Lovecraftian hints about a terrifying hell dimension are also fairly creepy too.

In terms of the novel’s sci-fi elements, this novel is probably a bit more like H.P.Lovecraft than anything else. In other words, whilst there are references to alien technologies, monsters from outer space and other dimensions, the story focuses slightly more on the effects that these mysterious things have on the characters rather than on the mechanics behind them (although the novel does give an explanation for why Suzie returned to life). But, although the sci-fi stuff is a bit more of a background detail than I’d expected, it is well written and helps to add a lot more atmosphere to the story.

The novel’s thriller elements are fairly interesting too, with the story mostly focusing on both D.I. Cutler’s investigation into a mysterious series of deaths and on Suzie’s attempts to understand what is going on whilst also staying one step ahead of the authorities. This adds a lot of suspense and drama to the story, which helps to keep it really compelling.

In terms of the characters, they’re fairly good. Most of the characters get enough characterisation to make you care about what happens to them, with the novel’s best character probably being Suzie – who, although clearly the story’s villain, is written about in such a way that you’ll probably end up either feeling sorry for and/or sympathetic towards her during a few parts of the story.

In terms of the writing, this novel is fairly good too. The novel’s third-person narration is written in a fairly fast-paced, informal and “matter of fact” way that also focuses quite heavily on the characters’ thoughts and feelings (which helps to add to the story’s horror elements too). Likewise, there are also a few italicised flashback scenes that presumably describe moments from previous series of the TV show too.

In terms of length and pacing, this novel is really good. At an efficient 250 pages in length, it never feels like a page is wasted. Likewise, this novel is written in a reasonably fast-paced way and also uses an interesting cross between a thriller novel-style structure (with alternating chapters focusing on the two main characters) and a 1980s splatterpunk novel-like structure (with some chapters and segments focusing on random background characters dying in horrible ways).

All in all, this is a fairly decent sci-fi horror thriller novel that is also vaguely reminiscent of the classic horror fiction of the 1980s too 🙂 The characters are well-written and the plot is both creepy and compelling too.

If I had to give it a rating out of five, it would get four and a half.

Review: “The Deep” by Nick Cutter (Novel)

Several weeks before I wrote this review, I happened to see something online mentioning a sci-fi horror novel from 2015 called “The Deep” by Nick Cutter. If I remember rightly, “The Deep” was likened to a modern version of H.P.Lovecraft. So, naturally, I was curious enough to look for a second-hand copy of it. To my delight, the author quote on the cover was from none of than Clive Barker too 🙂

Then, I got distracted by other books. But, since I was in the mood for horror fiction, I thought that I’d finally read “The Deep”.

So, let’s take a look at “The Deep”. Needless to say, this review may contain some SPOILERS.

This is the 2015 Headline (UK) paperback edition of “The Deep” that I read.

The novel is set in the near future, where the world has been reduced to a semi-apocalyptic state by a mysterious epidemic called “the ‘gets”. This disease makes people forget things, turning them into listless zombies before they eventually forget how to breathe or eat or drink.

A veterinarian called Luke arrives on the island of Guam. The night before, he got a phone call from the US military asking him to hurry over there. His genius brother, Clay, has been working in a deep-sea research station at the base of the Mariana Trench. The military has lost contact with the base. Clay’s last message to the surface was a strange phone call asking for his brother.

When Luke arrives at the surface station, one of the scientists shows him a mysterious substance dredged from the deepest point of the ocean called ambrosia. It has the potential to both cure diseases and heal horrific injuries. So, it seems like the most promising avenue for a cure for the ‘gets. However, before Luke descends below the surface, he sees what happened to the last scientist to surface from the research base.

Despite the grisly terror of what he has seen, Luke is eager to check on his brother. So, along with an experienced naval officer called Alice (or “Al” for short), they begin their descent into the deep….

One of the first things that I will say about this book is that it is probably one of the most unnerving, disturbing and terrifying books I’ve ever read. Imagine a cross between horror movies like “The Thing”, “Event Horizon“, “Hellraiser” and “Triangle” and survival horror games like “Silent Hill 3“, but about twice as disturbing. Usually, I tend to take author quotes on book covers with a pinch of salt, but the Clive Barker quote on the cover is as much a genuine warning as it is praise for the novel.

So, I suppose that I should probably start talking about this novel’s horror elements. This novel is what would happen if H.P.Lovecraft, Clive Barker and David Cronenburg decided to write a book together.

There is an insidious, unnerving and downright petrifying mixture of psychological horror (lots and lots of it!), body horror, paranormal horror, character-based horror, phobia-based horror (insects, clowns, darkness etc..), realistic horror, cruel horror, monster horror, claustrophobic horror, ominous horror, suspenseful horror, scientific horror, gory horror, bleak post-apocalyptic horror and types of horror that probably don’t even have names.

Although the earlier parts of this book, when you don’t know the characters and don’t know what to expect, are slightly scarier than the later parts – the novel’s horror is fairly evenly-distributed throughout the story. Just when you think that you’ve got a handle on this book and think that it can’t do anything more shocking or disturbing than it already has, it will come up with something.

This is also one of those incredibly rare horror stories where reality itself cannot be trusted. Although this incredibly disturbing type of horror is more common in film and television, this is one of the relatively few written examples of it that I’ve seen. And, yes, whilst you’ll eventually be able to guess what is and isn’t a nightmarish hallucination, don’t be too certain about this. As I said, this novel can surprise you. It can lull you into a false sense of security and then get you.

As for the novel’s characters, they are brilliantly chilling. We are shown more than enough of Luke’s disturbing past to really care for him and to dread what other traumatic memories will be dredged from his psyche by the malevolent forces lurking in the underwater station. This is the kind of novel where the most terrifying character, Luke’s mother, never directly appears in the story outside of flashbacks, thoughts and hallucinations. Yet, she is in many ways a more terrifying evil than the malevolent forces at work in the depths of the ocean…

The other characters are fairly well-written and some of them have a real Lovecraftian flavour. Whether it is Luke’s brother, a brilliant but coldly emotionless scientist, or a segment of the novel showing the final journal of one of the doomed scientists, this novel can be very Lovecraftian at times. In addition to these Lovecraftian characters, there is also an interesting variety of other characters such as a courageous navy officer called Al and an adorable dog called LB too.

And, yes, I should talk about this novel’s sci-fi elements too, since it is a sci-fi horror novel. Although this novel explores the traditional Lovecraftian theme of scientists meddling with things they shouldn’t, the sci-fi horror elements are made even more chilling due to their realism.

Whether it is a mysterious pandemic or the fact that the scientists don’t know what the mysterious substance at the bottom of the trench is or the fact that the technology isn’t that much more advanced than current technology, this isn’t some distant fantasy set in outer space. It is chilling “it could happen” near future sci-fi horror!

In terms of the writing, this novel is brilliant. The novel’s third-person narration contains just the right mixture of fast-paced “matter of fact” narration and slow, creeping descriptive narration. Seriously, a lot of the horror in this novel comes from the way that scenes of the story are written. In the hands of a lesser writer, this story would be a hilarious dark comedy rather than fear in book form.

In terms of length and pacing, this novel is fairly good. Although, at 394 pages, it is a little on the longer side of things, it is partially structured like a modern thriller novel. In other words, there are lots of shorter chapters that lend the story a slightly staccato and fast-paced rhythm. But, unlike a modern thriller, there is only one plot thread and the novel isn’t afraid to slow down slightly at times to drench the reader in slow, creeping dread.

All in all, this is an extremely scary horror novel 🙂 For all of the people who worry that the horror genre has declined in recent years, this novel will prove you wrong. The horror genre may not be as prominent as it was in the 1980s, but it has been festering in the darkness of obscurity and slowly gathering its strength. Seriously, this novel is scary. Don’t say I didn’t warn you.

If I had to give it a rating out of five, it would get a five.

Review: “Aliens: DNA War” By Diane Carey (Novel)

Well, it has been a while since I last read an “Aliens” novel and, since I was going through a bit of a sci-fi phase, I looked around online and ended up finding a second-hand copy of Diane Carey’s 2006 novel “Aliens: DNA War”.

Although it is theoretically possible to read this original spin-off story without watching any of the “Aliens” films, it is worth watching at least the first two films (Alien” and “Aliens) before reading this book, since the novel basically assumes that the reader knows at least a little about the series’ famous alien monsters.

So, let’s take a look at “Aliens: DNA War”. Needless to say, this review may contain some SPOILERS.

This is the 2006 DH Press (US) paperback edition of “Aliens: DNA War” that I read.

The story begins on the spaceship Vinza, which is trying to land on a habitable planet called Rosamond 6 to evacuate a science team before a team of aggressive terraforming robots can deal with the xenomorph infestation that is killing off the planet’s fauna. However, the ship is having some problems. Namely that the medic’s pet bat has got loose and the rest of the crew are trying to catch it.

When they eventually land on the planet, the ship’s legal officer – Rory Malveaux – joins in the expedition to find the scientists, since he is the son of famed ecologist Jocasta Malveaux, who is leading the research team. Needless to say, Rory did not have a happy childhood and feels that he will be the only one there who will be able to persuade his fanatical, manipulative and charismatic mother to leave the planet.

However, when they reach the main research settlement, all that the team finds are several corpses. Although the rest of the crew want to get the hell out of there, Rory points out that most of the research team is still unaccounted for and that he won’t sign off on using the terraforming robots until he has found them……

One of the first things that I will say about this novel is that it is a suspenseful, and gloriously cheesy, sci-fi horror thriller 🙂 Whilst this novel is both similar and different to the other “Aliens” novels that I’ve read, it remained compelling throughout. It also reminded me a little bit of the later “Prometheus” prequel movie (mostly due to the planet-based scenes), whilst still having a fairly classic “Aliens”-style atmosphere too 🙂

In terms of the novel’s horror elements, it tends to rely more on suspense and character-based horror than on gory horror. Sure, the novel contains a few grotesque scenes of grisly alien-based horror but the main sources of horror here are the hostile environment that the characters find themselves in, Jocasta’s sociopathic nature and the way that character deaths affect the other characters. So, whilst this novel isn’t that much of a gore-fest (relatively speaking), it still works really well as a horror novel.

In terms of the characters, although there are a surprisingly large number of background characters, the main characters are fairly well-written (if a little stylised). Although Rory is a likeable and slightly morally-ambiguous main character, the most well-written character is probably the story’s villain, Jocasta. She’s this creepily evil charismatic cult leader, who is also a fanatical environmentalist who cares more about aliens and science than about humans. Seriously, as villains go, she’s actually scarier than the aliens.

Jocasta is also contrasted with a space medic called Bonnie who, in addition to being a love interest for Rory, also seems to be like a “good” version of Jocasta who cares about both humans and animals (eg: an adorable pet bat called Butterball). Although she makes some rather naive mistakes during the story, which help to add suspense to some scenes, she comes across as a really likeable and realistic character.

In terms of the sci-fi elements, this novel contains some fairly interesting technology, not to mention an intriguingly mysterious planet too. Still, a lot of the focus of this story is on the ethics and legality of things like space exploration and terraforming.

This is also used as an avenue to show the inadequate nature of fixed rules in a complex universe, with even the most “lawful” character (Rory) having a fairly morally-ambiguous past. Likewise, the novel’s laws about terraforming are used as both a weapon against Jocasta and a tool for Jocasta and her fanatics. It’s a really interesting novel about the gap between formal rules and reality.

It’s also a novel about the dangers of things like ideologies and personality cults too, with these elements being one of the novel’s main sources of horror. And, in this spirit, the novel is also written in a brilliant way that will probably frustrate anyone wanting to analyse it in political terms (eg: it’s both a liberal and a conservative novel etc..). In other words, this is a novel about ambiguity and plurality.

Likewise, the novel mostly stays within the general mythology of the “Alien” films, whilst also doing a few innovative things with the alien creatures too. This helps to keep things surprising and suspenseful, whilst also allowing Carey to use the reader’s knowledge of the films to add extra suspense and implied horror during a few scenes too 🙂

In terms of the writing, the novel’s first-person narration is written in a fairly informal way. Although this includes a few slightly quirky descriptions, these help to give the story a bit of personality (as well as adding to the “cheesy late-night sci-fi movie” atmosphere 🙂) and are part of the fun of the novel. Likewise, the informal narration also helps to keep the story moving at a decent pace and allows for a few occasional moments of comedy too.

In terms of length and pacing, this novel is fairly good. At a wonderfully efficient 269 pages in length, this novel never really feels too long. Likewise, there’s a really good mixture between slower-paced moments of claustrophobic suspense, character-based drama etc… and faster-paced moments of drama and action. This novel flows really well and moves along at a fairly decent pace.

All in all, this is a really fun, suspenseful and compelling sci-fi horror thriller 🙂 Yes, it contains a few tropes which seem to turn up in almost every “Aliens” novel I’ve read (eg: sociopathic scientists, desolate planets/space stations etc..) but it still a compelling story with some really good character-based horror too.

If I had to give it a rating out of five, it would get at least a four.

Review: “Resident Evil: Caliban Cove” By S.D.Perry (Novel)

Well, although I’d planned to review a different novel today, I didn’t really get along with that novel – so, I decided to re-read S.D.Perry’s 1998 novel “Resident Evil: Caliban Cove” instead 🙂 This was a novel that I first read at some point during my teenage years and, intriguingly, it’s an original spin-off story rather than a direct novelisation of one of the classic “Resident Evil” videogames.

So, although this novel is a sequel to Perry’s “Resident Evil: The Umbrella Conspiracy“, it is sort of a stand-alone story. There are lots of recaps near the beginning and the main story is reasonably self-contained. However, it is worth taking the statement on the blurb (that this novel bridges the gap between the first two “Resident Evil” videogames) with a pinch of salt.

So, let’s take a look at “Resident Evil: Caliban Cove”. Needless to say, this review may contain some SPOILERS.

This is the 1998 Pocket Books (US) paperback edition of “Resident Evil: Caliban Cove” that I read.

The novel is set in the American city of Racoon City. Following the local S.T.A.R.S (Special Tactics And Rescue Service) team’s recent mission inside the zombie-filled Spencer mansion, there has been an official cover up by the nefarious Umbrella Corporation. The team have been discredited in the press and are suspended, pending an investigation.

Team medic Rebecca Chambers travels to Barry Burton’s house to meet up with the rest of the team and plan what to do next. When she arrives, Barry introduces her to a member of another S.T.A.R.S team called David Trapp. David is an old friend of Barry’s and has agreed to help him gather evidence against Umbrella. As such, David suggests a covert mission to infiltrate an Umbrella facility in Maine called Caliban Cove.

However, before the team can finish planning the mission, masked henchmen start shooting at Barry’s house. After a firefight that wounds Barry, the team flee to the abandoned house of their cowardly pilot Brad Vickers and lie low. After a while, they decide that – due to her scientific expertise – Rebecca should travel to Maine with David in order to investigate the mysterious Caliban Cove facility…..

One of the first things that I will say about this novel is that, whilst it gets off to a reasonably slow start, it’s a fairly good sci-fi/horror thriller novel. However, it is at least slightly different in style and tone to the videogames it takes inspiration from. On it’s own merits, it’s still a fairly good novel, but don’t go into this novel expecting “Resident Evil 1.5” or anything like that.

One of the most noticeable differences are the novel’s horror elements. Whilst this novel still includes a few gruesome moments of grisly zombie horror, don’t expect the kind of all-out gorefest that Perry offered in “Resident Evil: The Umbrella Conspiracy”. Instead, the majority of this novel’s horror elements consist of suspenseful horror, character-based horror and medical/scientific horror.

The story’s attitude towards monster design is pretty interesting too. The main “monster” of the story is a megalomaniacal scientist called Griffiths who has refined the zombie virus to the point where he can use it to control the zombies. Whilst this does result in some rather silly elements (eg: teams of zombies with machine guns), it is used to brilliantly chilling effect in the scenes showing how Griffiths has turned some of his co-workers into zombified slaves.

The novel’s thriller elements are pretty interesting too, with slightly more focus on suspense and exploration than combat. For the most part, this works reasonably well, with the suspense being increased via things like David’s team losing their boat, the squads of armed zombies prowling the grounds or the fact that a character starts slowly succumbing to the zombie virus.

However, the novel’s suspense is undercut somewhat by the fact that David’s team stays together for most of the story. One of the things that made the original games so suspenseful was the fact that the characters are frequently separated from each other and, for the most part, this novel doesn’t include too much of this. Likewise, the reader also gets to see a lot of Griffiths’ evil schemes before the other characters do, which kind of ruins the mystery slightly.

Like in the videogames, the characters also have to solve a series of puzzles in order to progress. Although there is an explanation for these puzzles (eg: a scientist hid something in the zombie training area), they seem a little bit more random and contrived than usual. In other words, they seem more like an episode of “The Crystal Maze” than a natural part of the story. Even so, the glorious silliness of these parts of the story is wonderfully reminiscent of the classic “Resident Evil” games.

In terms of the characters, they’re fairly good. In addition to an extended cameo from series regulars Barry Burton, Jill Valentine and Chris Redfield at the beginning, the novel mostly focuses on Rebecca Chambers – and adds some extra depth to a character who was, at the time the novel was written, little more than a background character in the first videogame.

Likewise, the new characters (eg: David and his teammates Karen, John and Steve) are all reasonably well-written and, of course, Griffiths is a brilliantly creepy villain too. Whilst you shouldn’t expect ultra deep characterisation, there’s enough characterisation here to make you care about the characters.

In terms of the writing, Perry’s third-person narration is a reasonably good mixture of informal fast-paced thriller narration and more descriptive narration. Since the novel focuses on Rebecca, there’s a little bit more scientific jargon in this story than you might expect. Even so, the narration fits the story really well and helps to keep everything compelling.

In terms of length and pacing, this novel is fairly good. At 242 pages, this novel is gloriously concise and can be enjoyed in just a few hours 🙂 The novel’s pacing is mostly fairly good, consisting of lots of slower moments of suspense punctuated by frantic moments of action and horror. However, the first forty pages or so of this novel (which mostly consist of recaps, dialogue etc…) are far too slow-paced for a story of this type. A good thriller novel should start with something thrilling.

As for how this twenty-one year novel has aged, it has aged reasonably well. Although there are possibly a couple of mildly dated descriptions, the story is both timelessly gripping and wonderfully ’90s at the same time. Everything from the random silliness of some parts of the story, to the 1990s suburbia setting of the novel’s early scenes, to the story’s “classic Resident Evil”-style elements are a wonderful source of ’90s nostalgia 🙂

All in all, whilst this novel is kind of like “Resident Evil lite”, it’s both a reasonably fun (if a little silly) spin-off story and a fairly suspenseful sci-fi/horror thriller novel. If you’re a fan of the series, then this novel is an interesting addition to it.

If I had to give it a rating out of five, it would just about get a four.

Review: “Aliens: Rogue” By Sandy Schofield (Novel)

Note: Due to scheduling reasons, the “making of” line art post for my recent webcomic mini series won’t appear here until tomorrow. Sorry about this.

Well, although I’d originally planned to read something a bit more “high brow”, I was kind of in a stressed out mood and just wanted to read something fun. Something like the kind of novels I used to read all of the time when I was a teenager.

Then I remembered that I still hadn’t read the second half of a two-novel “Aliens” omnibus (that contains Robert Sheckley’s 1995 novel “Aliens: Alien Harvest” and Sandy Schofield’s 1996 novel “Aliens: Rogue”) that I’d bought second-hand a few months ago. So, this seemed like the perfect opportunity 🙂

So, let’s take a look at “Aliens: Rogue”. Needless to say, this review may contain SPOILERS.

This is the 1996 Orion (UK) paperback omnibus that contained the version of “Aliens: Rogue” I read.

The novel begins with the crew of a civilian spacecraft, captained by Joyce Palmer, emerging from suspended animation after a long voyage to a remote asteroid facility called Charon Base. The spacecraft is carrying a passenger called Mr.Cray to the facility, since he seems to have some kind of classified business there.

Meanwhile, in the former penal colony mining tunnels near the facility, a detachment of space marines are trying to catch an alien specimen for Professor Kleist, the ZCT Corporation scientist who runs the facility. Unfortunately, the experimental technology the marines are using to stun the deadly aliens doesn’t work perfectly and one of the marines is killed – prompting another marine to blast the alien to smithereens with his rifle. Watching on CCTV, Kleist is absolutely horrified…. about the death of one of his alien specimens.

After a brief meeting with Kleist, Joyce and her crew stay at the facility for a few days. Although Joyce is happy to meet her occasional lover, Hank, she soon starts hearing news of mysterious deaths and disappearances amongst the facility’s crew and decides to investigate…..

One of the first things that I will say about this novel is that, whilst it isn’t anything particularly new, it’s a hell of a lot of fun to read 🙂 Although the basic premise (an alien-filled research facility run by a mad scientist) is pretty much identical to S.D.Perry’s “Aliens: The Labyrinth“, the novel does a few interesting things with this premise.

This novel is as much of an action-thriller novel as a sci-fi horror novel, with the general tone and atmosphere of the novel reminding me a lot of the original “Red Faction” computer game.

In addition to lots of desolate mining tunnels, a lot of the novel focuses on several groups of characters (both civilian and military) who start a resistance movement against Kleist and his henchmen. So, in a lot of ways, this is also a dystopian novel too 🙂 Yes, the “plucky band of rebels” thing is a well-worn sci-fi/fantasy trope, but it’s handled in a really thrilling way in this novel, which will really have you cheering for the rebels.

Seriously, although it contains nothing especially new, this novel is the perfect blend of dystopian sci-fi, thrilling action and macabre horror fiction 🙂 Reading this novel is like watching a really fun late-night 1980s/90s B-movie, like “Fortress” or something like that.

As for the horror elements of this novel, they’re pretty good. Although this novel isn’t that scary, it certainly has a rather ominous claustrophobic atmosphere, in addition to lots of grisly moments of gory horror, creepy alien-based moments (including a giant genetically-engineered alien king) and plenty of scenes featuring Kleist’s evil experiments too. These horror elements complement the novel’s action-thriller elements really well and not only add more atmosphere and tension to the story, but also give it a bit more depth by allowing for more moments of human drama too.

As for characterisation, this novel is reasonably decent, with several of the civilian and military characters receiving enough backstory and emotional moments to make you care about what happens to them. Likewise, the space marines are also shown to be an efficient, courageous and resourceful team too. However, the evil Professor Kleist and his security guard henchmen don’t really get much in the way of backstory and mostly just come across as cheesy, melodramatic “villain” characters (which is kind of fun in a “corny B-movie” kind of way, though).

In terms of the writing in this novel, it’s reasonably good. This novel’s third-person narration is descriptive enough to be atmospheric whilst also being “matter of fact” enough to not only keep the story moving at a decent pace, but also to make it reasonably relaxing to read too. Even so, in the edition I read, the editor missed a few basic mistakes (eg: misspelling Cray’s name as “Clay” once, spelling “gel” as “jell” once etc..) to the point where these errors actually became noticeable.

In terms of length and pacing, this novel is reasonably good. In addition to being a fairly efficient 288 pages long, the pacing in this novel is fairly good. It starts off in a suitably ominous way before gradually building into a more traditional thriller (where chapters jump between two or three groups of characters, with lots of mini cliffhangers etc..) which remains fairly gripping throughout.

As for how this twenty-three year old novel has aged, it’s aged really well. Although the story has a fairly “1990s late-night TV” kind of atmosphere during a few moments, this just adds to the story’s enjoyably fun “cheesy B-movie” quality. But, like with S.D.Perry’s “Aliens: The Labyrinth”, this novel is pretty timeless thanks to it’s distant-future setting (which still comes across as reasonably futuristic).

All in all, whilst this novel doesn’t really do anything new, it is still a lot of fun to read. So, if you want to relax with the literary equivalent of a great late-night movie from the 1990s, then this novel is well worth checking out. Likewise, if you want a dystopian sci-fi horror thriller novel, then this is definitely one of the more enjoyable ones.

If I had to give it a rating out of five, it would get at least a four.

Review: “Aliens: The Labyrinth” By S. D. Perry (Novel)

Well, it’s been a little while since I last read a horror novel. So, after searching through some of my piles of books, I found an old copy of S.D.Perry’s 1996 novel “Aliens: The Labyrinth”. Although I really enjoyed Perry’s novelisations of the “Resident Evil” videogames when I was a teenager, I also had vague memories of enjoying a couple of “Aliens” novels back then too.

Since I initially wasn’t sure whether I’d already read this novel before (although about two-thirds of the way through, I realised that I had), I thought that I’d check it out.

So, let’s take (another) look at “Aliens: The Labyrinth”. Needless to say, this review will contain some SPOILERS.

This is the 1999 Millennium (UK) paperback reprint of “Aliens: The Labyrinth” (1996) that I read.

“Aliens: The Labyrinth” tells a self-contained sci-fi horror/thriller story that is set in the universe of the “Alien” films. The story begins with a military scientist called Colonel Doctor Crespi awakening from suspended animation after a long space voyage.

Officially, he is being dropped off at a remote research station in order to help out with Dr.Church’s scientific research. However, he has been given secret orders to seize command of the station due to unspecified worries about what is happening there.

Of course, it doesn’t take Crespi long to realise that Dr.Church is not only performing cruel experiments involving xenomorphs (the bloodthirsty alien monsters from the “Alien” films) but that he actually seems to enjoy his work too….

One of the first things that I will say about this novel is that, like a hungry xenomorph, it really creeps up on you. Basically, this novel gets much better as it goes along. When I started reading it, I initially found myself rolling my eyes and thinking “I’d probably enjoy this book a lot more if I was fourteen” but, near the end of the novel, I found myself recoiling with horror – yet spurred on by adrenaline to read more. Seriously, this is one of those novels where first impressions aren’t everything.

As for the sci-fi elements of this story, they work reasonably well. Not only is this novel set in a sparsely-described, but convincingly futuristic, location – but it also uses the classic sci-fi technique of occasionally dropping futuristic terms into the narration in order to immerse the reader.

Plus, of course, it’s a story about science gone horribly awry. You don’t get more sci-fi than that. In addition to this, the scientific ethics-based elements of the story are also explored in an utterly chilling flashback scene where the xenomorphs are shown performing vaguely similar experiments on humans, for an arguably more sympathetic reason.

The novel’s thriller elements work fairly well too. Although the earlier parts of the novel are a fairly standard mystery thriller, with a few fairly “ordinary” action-thriller moments thrown in every now and then to keep things interesting, the story eventually builds to a grippingly intense, visceral, adrenaline-fuelled climax that is an example of the thriller genre at it’s very best. So, yes, it only has one really gripping action-thriller segment, but what a segment it is!

As for the horror elements in this story, they work astonishingly well. At first, the novel isn’t particularly scary. The earlier scenes involving the xenomorphs seem to be gloriously cheesy in the way that you’d expect a silly monster movie involving a megalomaniacal scientist to be. But, as the novel progresses, other types of horror start to appear and you suddenly realise that the earlier scenes were there to lull you into a false sense of security!

Seriously, I was genuinely creeped out and grossed out by parts of this book. This is because it doesn’t just rely on silly monster-based scares and splatterpunk-esque gory horror, it also includes things like body horror, emotional horror, scientific horror, character-based horror, taboo-based horror, bleak nihilism and other such things. Seriously, it’s been years since a horror novel has made me literally recoil with horror.

All of this horror is also balanced out by some absolutely brilliant moments of dark comedy, mostly revolving around Dr. Church’s eccentricities. Seriously, this novel is worth reading just to read the scene where Church decides to take one of his pet xenomorphs for a stroll through the station’s corridors whilst humming a jaunty tune.

The narration in this novel is kind of interesting. Initially, I thought that the rather informal third-person narration was somewhat “shallow” and eye-rollingly immature (seriously, the narration uses a lot of four-letter words). But, as the story progressed, the narrative style began to make a lot more sense. Once the novel reaches it’s adrenaline-pumping climax, the informal narration really helps to ramp up the intensity a lot. Seriously, if the later parts of this book were narrated in a more traditional formal way, they wouldn’t have half the impact that they do. So, yes, the slightly informal narrative style works – although it takes a little bit of getting used to.

Best of all, at just 210 pages, this novel is efficient. There is barely a wasted moment in this novel and this really helps to keep the story flowing at a decent pace. Combined with the informal narration, this means that this novel is as enjoyable to read as watching a good sci-fi horror movie is. This book is reassuringly short easy reading that will make you feel decidedly uneasy.

The novel’s main characters are surprisingly well-written. Although they all initially seem to be two-dimensional stock characters who all have tragic backstories, they become more complex and compelling characters as the story goes on. Like with a lot of things about this book, the characters get better and more sophisticated as the story progresses. Seriously, this is the kind of novel that can make a background character into the main character in one part of the story and make that part of the story infinitely more dramatic and gripping as a result.

In terms of how this 23 year old novel has aged, it has aged ridiculously well. Seriously, if this novel was published for the first time today, you probably wouldn’t be able to tell that it was actually from 1996. It’s timeless.

All in all, this is a novel that will really catch you by surprise. Yes, it initially seems like a story that is about as scary as a kitten, written for immature audiences and populated by cardboard characters. But, this is all there to lull you – experienced horror novel reader- into a false sense of security. If you stick with this book, then you’ll find that it’s a lot scarier, a lot more gripping and a bit more sophisticated than you initially thought!

If I had to give it a rating out of five, it would get four and a half.

All Ten Of My “Retro Sci-Fi” Halloween 2017 Short Stories :)

Well, in case you missed any of them, I thought that I’d provide a list of links to all ten of my “retro sci-fi” Halloween 2017 short stories 🙂

This series was kind of an interesting one, although I was super-inspired when I started it, I ended up battling writer’s block at several points during the series.

This resulted in the series having slightly less of a consistent atmosphere, style and “world” than I’d orginally planned. Even so, I was still able to include some consistent details (eg: instead of the internet, there is phone-in radio etc..) and a couple of occasionally recurring characters (eg: Oakfield and Chekhov).

Likewise, the quality of the story varies somewhat. The best stories are probably “Procedure“, “Community Spirit“, “Haul” and “Nice Things“.

Another interesting thing about this series is that, for the first time in ages, I actually started using third-person narration occasionally. Although I was still getting used to writing in this style again, it opened up a few new storytelling possibilities for me.

Anyway, here are the stories 🙂 Enjoy 🙂

– “Community Spirit“: A newspaper editor decides that what his paper really needs is some community spirit.

– “Lacunae“: John has found an apartment that isn’t on the city maps and, at five hundred credits, it’s an absolute steal!

– “Details“: On the way home from the pub, a slightly nerdy guy notices something strange about the city’s advertising posters.

– “Procedure“: Detective Prest is a loose cannon, a “shoot first, ask questions later” kind of cop. But, after angering Chief Oakfield and getting reassigned to a fraud case, he’s in for a surprise…

– “Service“: A well-to-do couple are invited to a robot-run restaurant by their friends. What could possibly go wrong?

– “Broadcast“: Gianna is having a boring shift at the freight park terminal, so she decides to pass the time by listening to some public radio…

– “Haul“: Two gangsters have scored big! But, after shooting down a flying cop car, they need a place to lie low. And quick!

– “A Night Out“: Dillhale is a P.I., an old school gumshoe. So, when a glamourous lady arrives at his office and leaves a mysterious envelope, he’s in his element. Of course, it isn’t long before he realises that something isn’t quite right about the case…

– “Another Time“: Emily is worried about her colleage, Dr. Yelport, and the mysterious time travel experiments that she has been conducting…

– “Nice Things“: Accompanied by the rookie Detective Stevens, Chief Oakfield is summoned by the Mayor to personally investigate a bizarre disturbance at a recently-opened shopping centre.