Well, I was in the mood for some sci-fi. So, I thought that I’d take a look at Tade Thompson’s 2019 novel “The Rosewater Insurrection” (the sequel to Thompson’s excellent “Rosewater“) since a relative pre-ordered a copy of it for me as a gift a few weeks before I prepared this review. And, yes, I write these reviews quite far in advance.
Before I begin the review, I should probably also point out that “The Rosewater Insurrection” is a direct sequel to “Rosewater” (and is the second book in a trilogy). Although it contains a few recaps, the story probably won’t make that much sense if you haven’t already read “Rosewater” first. So, this is a series that should probably be read in order.
Anyway, let’s take a look at “The Rosewater Insurrection”. Needless to say, this review may contain some SPOILERS.
The novel begins in Nigeria with a flashback scene set in 2055. Eric is a sensitive (someone with psychic-like abilities, due to alien spores) working as a field agent for Section 45. He has been sent to Camp Rosewater, the settlement surrounding a mysterious alien bio-dome that has recently arrived on Earth, with orders to track down and kill a local revolutionary called Jack Jacques.
Eric infiltrates Jack’s camp and spends quite a while working as a labourer there, waiting for a chance to get close to Jack. But, when he eventually does, he gets a message from Kaaro telling him to get the hell out of there, because Section 45 consider him expendable and are going to use him as a human targeting beacon for an air-strike. Eric flees and is demoted to a desk job.
And, after Molara delivers a short lecture about the symbiotic history of humans and aliens to the reader, we flash forwards to the city of Rosewater in 2067, where a woman called Alyssa wakes up and finds that she has no memory whatsoever…
One of the first things that I will say about this novel is that, like “Rosewater”, it was a lot of fun to read 🙂 As you might expect, this sequel tells a larger and more epic story than “Rosewater” does. Although this means that the story doesn’t feel quite as focused during the earlier parts, if you stick with it then you’ll be rewarded with a gripping, spectacular sci-fi thriller that could probably put even the largest-budget modern movies to shame 🙂 Seriously, why hasn’t this series been turned into a film or TV series yet?
In terms of this novel’s sci-fi elements, it expands a lot on some of the stuff introduced in “Rosewater”. Not only do we get to learn a lot more about the aliens’ backstory, motivations and plans for Earth (including a novel twist on the familiar “alien invasion” trope) but the novel also includes all of the intriguing background details that you’d expect from a biopunk/cyberpunk novel too 🙂 The world-building is as good as ever, and the novel’s technology, alien fauna etc… also plays a role in the story in all sorts of dramatic, and occasionally surprising ways, too. Even so, this novel is very slightly more focused on it’s thriller elements than it’s sci-fi elements.
In terms of the novel’s thriller elements, it contains a really good mixture of suspenseful scenes, fast-paced action set pieces, tech/sci-fi based scenes and political/military/war drama too. All of these things also exist in both large and small scale versions too, adding even more thrilling variety and depth to the novel too. Although the novel takes a while to set up all of it’s many plot threads (which can make the story feel mildly confusing or unfocused at first), everything comes together in a really spectacular way and the mid-late parts of the story. Reading this novel feels like watching a much more intelligent, complex, creative and immersive version of a large-budget CGI blockbuster film 🙂
As you might expect if you’ve read “Rosewater”, the novel also contains some elements from the horror genre too 🙂 Although these are less prominent than they were in “Rosewater”, they turn up in a few wonderfully creepy moments (eg: the scene with Bewon and the plant growing in his apartment) – but their main purpose here is to add more atmosphere/realism to the setting and also to add extra impact, creativity and epic-ness to some of the novel’s action scenes. Even though this is less of a horror novel than it’s predecessor, these horror genre elements (eg: body horror, gory horror, zombies and psychological horror) really add a lot to the novel 🙂
Thematically, this novel is fairly interesting. Not only is this a novel about how power corrupts (shown through both Jack’s character arc and a few references to “Macbeth”, amongst other things) but it is also a novel about the environment, politics, warfare, how history is recorded etc… too. Most of this thematic stuff is more of a subtle background thing, but it plays a fairly major role in the events of the novel and also helps to add extra depth and realism to the story too.
As for the characters, this novel is as good as ever 🙂 Unlike “Rosewater”, this novel focuses a lot less on Kaaro (although he still gets some character development and a few really cool moments) and instead focuses a lot more on Aminat, Alyssa and Jack. All three of these characters have a decent amount of characterisation and character development – with Aminat going from being a slightly squeamish mid-level agent to a much more tough and heroic character, with Alyssa coming to terms with what is happening to her and with Jack slowly becoming corrupted by power. Yet, in an interesting twist, Jack isn’t the novel’s villain – but someone that the other characters have to reluctantly work with for the sake of their collective survival.
In terms of the writing, this novel is both similar and different to “Rosewater”. For the most part, this novel uses present-tense third-person narration that is informal enough to add personality to the story and keep things moving at a decent pace, but also descriptive and/or informative enough to add a lot of atmosphere to the story and make everything feel solid enough. The third-person narration also allows for a more complex and large-scale story. There are also a few mildly experimental flourishes too – such as random “extracts” from an in-universe historical novel (written by a character called Walter) that appear occasionally and provide extra backstory.
The novel also includes several first-person perspective segments and, although the jump from one perspective to another is a little surprising, the narrative voice is consistent enough and these segments are signposted well enough (each chapter title tells you which character it focuses on, and the infrequent chapters focusing on Eric and Walter are in first-person perspective) that this didn’t really become too confusing. Still, I’m kind of puzzled by this aspect of the novel – although, at a guess, Eric’s segments are in first-person because his opening segment is similar to the first-person narration used throughout “Rosewater” (and it provides a good bridge between the two books) and Walter’s segment is in first-person because it focuses a lot more on his thoughts, reactions etc…
In terms of length and pacing, this novel is reasonably good. At 374 pages, it is shorter than “Rosewater”, yet manages to tell a much larger story 🙂 And, although the story’s plot may feel a little less focused at first, all of the novel’s plot threads blend together well and provide a lot of payoff. The novel also contains a really good mixture of fast-paced action and moderately-paced drama/suspense, whilst still being as compelling as you’d expect from a thriller novel. Plus, although this novel is the middle part of a trilogy, the ending contains as much drama and resolution as you would expect from a stand-alone novel 🙂
All in all, this is a really enjoyable and compelling novel 🙂 Yes, it takes a little bit longer to really get started than “Rosewater” did (and the perspective/focus changes might take you a while to get used to), but it tells an even more spectacular story 🙂 This novel is a sequel in the truest sense of the word, taking everything good about the first novel and turning it up to eleven 🙂
If I had to give it a rating out of five, it would get a five.