Review: “Frost Bitten” (WAD For “Doom II”/ “Final Doom”/ “MBF Engine” [?]/ “ZDoom”)

Well, since I’m still reading the next novel that I plan to review (a Lovecraftian “Scooby Doo” parody called “Meddling Kids” By Edgar Cantero), I thought that I’d take a look at a “Doom II”/”Final Doom” WAD. After all, it has been a little under a month since my last WAD review and, well, tradition is tradition.

So, after clicking the “Random File” button on the /idgames Archive a few times, I ended up with a level from 1999 called “Frost Bitten“.

Although this WAD was apparently designed for a source port I’d never even heard of before called “MBF Engine”, it was mostly functional with the “ZDoom” source port that I usually use. However, one feature mentioned in the readme file (friendly monsters) didn’t work with ZDoom.

Anyway, let’s take a look at “Frost Bitten”:

“Frost Bitten” is a single-level WAD that also includes some new textures and features. It’s a short to medium-length level with some cool lighting, cool area design and a reasonably good variety of gameplay styles too.

Seriously, the lighting here is really awesome 🙂

As for the level design, the level is non-linear enough to be interesting but it flows really well enough that you won’t really get lost. The level design is also used to add challenge to the level in a few interesting ways, some of which are cool and some of which are a little bit cheap.

On the plus side, the level features this wonderfully tense segment where you have to explore a dark and claustrophobic air vent maze (which doesn’t show up on the in-game map) that is patrolled by spectres. Since you can usually hear the monsters, but can’t see them, and since you’ll probably also have relatively limited health and weapons, this segment of the level is surprisingly suspenseful and even borders on scary at times 🙂

Yes, this part of the level is actually scary 🙂

On the downside, there are a couple of cheap moments. Whether it is a (relatively) close-quarters Cyberdemon fight or a segment where you have to jump into a fast-flowing stream of blue radioactive waste and then stop moving at exactly the right moment to avoid certain death (and, yes, it’ll require a bit of trial and error), the level does occasionally include some cheap difficulty.

In terms of the general difficulty of the level, it’s probably moderately challenging at the very most. Experienced players won’t have too much trouble with this level and, even the Cyberdemon fight that I mentioned isn’t exactly unfair. You’re given enough ammo and just enough cover, but expect a relatively long fight with lots of trial and error.

If you’re an experienced player, then this fight isn’t exactly difficult. But, it is kind of time-consuming….

The new textures are reasonably good and they mostly consist of small signs, vending machine logos etc.. in addition to some rather cool snowy outdoor areas too. The best one of these is probably at the beginning of the level, where there is actually animated “snow” that hangs in the air. Although the animation is relatively basic, it still looks really cool and I wish that it had been used in the other wintery parts of the level.

Seriously, why wasn’t this in the later parts of the level too?

As mentioned earlier, I couldn’t get the “friendly monsters” feature to work with the source port I used – but some of the other features still worked. These mostly include things like underwater areas, small air vents and raised passageways which the Doomguy will automatically crouch into or jump onto when you walk up to them etc… Although this stuff might not sound that impressive these days, it was probably quite a technical achievement in 1999.

All in all, this is a fairly cool level 🙂 Yes, it does have a few annoying or frustrating moments, but if you want a reasonably interesting short-medium length level that includes the kind of features you don’t see that often in 1990s Doom WADs, then this one might be worth taking a look at.

If I had to give it a rating out of five, it might just get a four.

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Review: “Xmas 2004” (WAD for “Doom II”/ “Final Doom”/ “GLBoom”/ “ZDoom”)

Well, since I’m still reading the next book I plan to review (“Heresy” by S.J.Parris), I thought that I’d take the chance to review another “Doom II”/”Final Doom” WAD. And, after clicking on the “Random File” button on the /idgames Archive a few times, I ended up finding a WAD from 2004 called “Xmas 2004“.

Since the weather was annoyingly hot again, I was in the mood for something wintery and, since Christmas 2004 was one of my favourite Christmases, I decided to take a look at this WAD.

Although the WAD’s attached text file recommends using the “GLBoom” source port (which is part of “PRBoom”), I couldn’t get this to work on my computer. So, instead, I ended up using the “ZDoom” source port (after having issues with using the WAD with an older version of “GZDoom”). As such, the lighting in the screenshots in this review may not reflect the intended experience.

Likewise, since the “Wolf 3D” enemies from Doom II’s secret level are used as the basis for the “elf” enemies, this WAD may have issues when played with versions of “Doom II” that do not include this secret level.

Anyway, let’s take a look at “Xmas 2004”:

“Xmas 2004” is a seven-level WAD for “Doom II”/”Final Doom” that contains new sprites, textures, end level screens and music. One of the first things that I will say about this WAD is that, whilst it does have a few cool elements, it really isn’t that great overall (for several reasons).

I suppose that I should start with the good parts of this WAD, which are the location design, the music and the hub system.

Although the hub system means that, out of the seven levels, only two of them are actual full-length levels, the fact that the Doomguy returns to his apartment (and checks his e-mails) between levels is kind of a cool touch. In addition to this, the new music (a mixture of easy listening, Jingle Bells and relaxing Christmas music) really helps to add a festive atmosphere to the levels too.

Plus, another good thing about this WAD is the location design. Seriously, I absolutely love both the level of visual detail in this WAD and the wonderfully gloomy festive locations too. Yes, this WAD does include a few annoying invisible walls, but there are some really cool-looking locations here:

Woo hoo! This looks wonderfully Christmassy 🙂

Seriously, I really love the location design here 🙂

And this area looks really awesome too 🙂

But, these are the only good things I can say about this WAD. Everything else about it really isn’t that great. I should probably start with the actual gameplay, which is pretty much the dictionary definition of badly-handled difficulty.

Not only is there a paucity of health power-ups here (I only found about four stimpacks in the entire WAD and actually had to use the “Give Health” cheat at one point!), but it is also one of those WADs that includes wide open areas with lots of hitscan enemies who can snipe you from a distance. This is further compounded by the fact that the “elf” enemies in one level are absolutely tiny and therefore more difficult to hit.

Not to mention that there are loads of them too…

Then, there are this WAD’s “comedy” elements. It makes unsophisticated, clumsy and/or imperfect attempts at the “edgy” humour that was more popular in the 1990s/early 2000s – with little to none of the depth, creativity and/or thought that can be found in these older works.

There’s no intelligent social satire here, no creatively-expressed irreverent criticisms – just a few cringe-worthy “politically incorrect” elements (eg: stereotypical “gang member” enemies in one level etc…) which seem to be there for the sake of shock value and some crude jokes, random drug references etc…

In addition to this, the level design is a little bit annoying. Whilst the levels are thankfully non-linear, the combination of wide open spaces, numerous doors that cannot be opened and some slightly hidden level-critical areas means that the levels can be a bit annoying sometimes. Yes, if you explore a bit, then you’ll be able to work out where to go next, but a few elements of the level design seem a little bit obtuse at times.

Although, saying that, one of the levels quite literally tells you where to go.

All in all, whilst this WAD contains some cool-looking areas, it really isn’t that much fun to play. This is a WAD with badly-handled difficulty, occasionally frustrating level design and some cringe-worthy elements, which really isn’t as enjoyable to play as other Christmas-themed WADs like “Mori Christmas” and “Xmas Doom 2015“.

If I had to give it a rating out of five, it would get a two.

Review “The Phantom Of The Opera” (WAD for “Doom II”/”Final Doom”/ “ZDoom”)

Well, since I’m still reading the next novel I plan to review (“Fall Of Night” by Jonathan Maberry), I thought that I’d take the chance to look at another “Doom II”/”Final Doom” WAD, since it’s been about two or three weeks since my last WAD review.

And, after clicking the “random file” button on the /idgames Archive a couple of times, I ended up with a single-level WAD from 2005 called “The Phantom Of The Opera“.

As usual, I used the “ZDoom” source port to play this WAD, although it will probably work with almost any other source port. However, since this WAD uses a couple of the WW2-themed “Wolfenstein 3D” textures and enemies from Doom II’s secret levels, this WAD may not work with censored versions of the game (eg: the BFG edition and/or the German version of the game).

So, let’s take a look at “The Phantom Of The Opera”:

The level takes place in two different areas, an opera house-style area and some underground tunnels/crypts.

Given that the level only uses the standard textures (including the “Wolf 3D” ones from the secret levels), these areas are fairly well-designed and they look reasonably close to what they are supposed to be (for example, in order to progress to part of the opera house, you have to walk through a curtain. Likewise, there’s a boat that teleports you to another part of the level etc..).

What do you mean, unsafe? It looks perfectly seaworthy to me!

And, for something made with the standard textures, this opera house looks pretty impressive, if a little small.

In addition to this, the level also tries to add a bit of visual/combat variety by using a couple of enemies and a portrait from Doom II’s WW2-themed “Wolfenstein 3D” secret levels.

But, although this WW2-related stuff adds a bit of extra content to the level, it does seem at least slightly out of place in a level that is supposed to be set in 19th century France.

The level design itself is reasonably good, with the level being a non-linear level which is also small/streamlined enough that you’ll never really get lost. Like in any classic “Doom II” level, you’ll be searching for keys in order to progress (and these are pretty easy to find). Likewise, there are a few secrets to find too. Although the very first one is pretty easy to find, there’s a well-designed secret involving a piano/organ, which was kind of cool.

The level’s difficulty is kind of interesting. Although there aren’t that many monsters, the level achieves a certain level of challenge by heavily rationing the amount of ammo available to you.

If you find the blue health sphere near the beginning of the level, then this won’t be too much of a problem – but this is one of those levels where you have to know when to fight and when to run. This is especially true in the final segment of the level, when you are faced with multiple arch viles (and have little to no ammo).

Well, it wouldn’t be a “Doom II” level without THESE!

Surprisingly, this adds a bit of extra fun to the level, since you’ll have to use all of the reflexes and tactics that you’ve learnt from playing other levels. Likewise, the sheer number of arch viles near the end means that the final segment is much more like a basic puzzle (eg: you have to work out what to do and how to do it quickly) than a combat segment, since you can’t possibly fight all of the arch viles.

Even so, experienced players will find this level to be very much on the easier side of things. Even so, it’s still fairly fun.

In terms of music, this level uses the standard “Doom II” music – which is kind of annoying, given that it is meant to be based on The Phantom Of The Opera.

All in all, this is a fun and well-designed – but rather short and relatively easy level – that is a fun way to spend 10-15 minutes. It’s interesting to see someone trying to recreate The Phantom Of The Opera (even with some anachronistic WW2-era elements).

If I had to give it a rating out of five, it might just get a four.

Review: “Unruly Evil” (WAD For “Doom II”/ “Final Doom”/”ZDoom”)

Well, since I’m still reading the next novel I plan to review (“Bring Up The Bodies” By Hilary Mantel), I thought that I’d take the chance to review another “Doom II” WAD, since it’s been about three weeks or so since my last WAD review.

So, after clicking on the “Random File” button on the /idgames Archive Database a few times, I ended up finding a WAD from 2006 called “Unruly Evil“.

As usual, I used the “ZDoom” source port whilst playing this WAD. Since it seems to be designed specifically for ZDoom, I don’t know how well it will work with other source ports (although I guess that ZDoom-based source ports, like GZDoom, might possibly be ok).

So, let’s take a look at “Unruly Evil”:

“Unruly Evil” is a short to medium length single-level WAD which includes a few new features/mechanics.

It also, for some bizarre reason, takes up the Map 28 slot – so, when you start the game, you’ll have to type “IDCLEV28” to skip to this level (or play through the first 27 levels of “Doom II” or “Final Doom”) before you can get to this level.

Yes, if you see something like this, just type “IDCLEV28”. And, yes, I’m using “Final Doom” (because “The Plutonia Experiment” is awesome 🙂 )

One of the first things that I will say about “Unruly Evil” is that, according to the accompanying text file, it was apparently made as a tech demo to show how a level editor called “DCK 3.62” can use some ZDoom-specific features. And, as a tech demo, it’s pretty cool. But, as a level, it isn’t really that great.

Ok, it has some good moments but, on the whole, it’s kind of… meh.

The main features that this WAD shows off include enemies that can turn invisible, in-game text and underwater areas (with an accompanying oxygen mechanic). For the time that this WAD was released, I can see how they would have been fairly impressive. However, whilst it’s neat that this level shows all of this stuff off, it does ruin the gameplay somewhat.

For starters, the enemies that can phase in and out of visibility at will are an impressive feature. However, they are more than a little bit frustrating, due to the fact that they can suddenly pop up out of nowhere without warning. Whilst this does add a little bit of extra challenge and tension to the level, the way it is implemented (eg: with no spectre-like silhouettes when the monsters are invisible) can come across as a cheap, annoying and unfair way of adding difficulty.

Likewise, the in-game text is a rather cool feature. However, it often relays obvious instructions to the player – which can come across as patronising at times. And, when combined with the reasonably linear design of the level, this makes the level feel less like a “Doom II” level and more like a caricature of a more modern FPS game. Still, this text is used in a rather interesting end-level cinematic… which then crashed ZDoom after it had finished.

However, the dark blue text used here is kind of difficult to read against the gloomy background. The bright yellow text in the rest of the WAD would have been a better choice.

Finally, the underwater area is kind of a neat addition. Still, given that most “Doom II” levels with underwater areas don’t include an oxygen mechanic, expect to get caught out by this when you venture into this area for the first time.

The Doomguy can drown? But what about that spacesuit/oxygen mask that he usually wears?

The level itself is, as I mentioned, somewhat linear (with only a few non-linear elements) and there are a few moderately challenging elements- such as a couple of enjoyable small-medium size arena fights (which, to the level’s credit, feature a Cyberdemon and an Arch-vile).

On the plus side, this is one situation where the in-game text is actually kind of epic.

The level is both generous and stingy when it comes to heath too. Although there are a reasonably number of health packs near the beginning of the level, I didn’t really find many in the later parts. And, since your health is likely to be low during the later parts of the level, the sudden appearance of invisible enemies can result in a frustrating insta-death occasionally.

All in all, this is a pretty cool old tech demo. But, when seen on it’s own merits as a level, it isn’t that great. It’s linear and frustrating. Even so, it’s a cool glimpse into the history of “Doom II” modding, source ports etc…

If I had to give it a rating out of five, it would get two and a half for the level design but four for the features.

Review: “Try Before You Die” (WAD For “Doom II”/ “Final Doom”)

Well, since I’m still in the middle of reading a rather long C. J. Sansom novel (is there any other type?), I thought that I’d take the chance to review a “Doom II”/”Final Doom” WAD today.

After all, it’s been at least a couple of weeks since the last WAD review and, despite playing an older version of “Reelism” occasionally, I was worried that I was getting out of practice.

So, after clicking the “random file” link on the /idgames Archive a few times, I eventually found a rather interesting-looking WAD from 2016 called “Try Before You Die“.

As usual, I used the “ZDoom” source port whilst playing this WAD. According to the accompanying text file, this WAD is designed for ZDoom-based source ports – so, it will probably work with ports like GZDoom too.

So, let’s take a look at: “Try Before You Die”:

“Try Before You Die” is a medium to long single-level WAD which revolves around a demonic invasion of Earth.

With Earth in ruins, humanity’s only hope is for the Doomguy to complete some kind of infernal trial in order to rid the planet of hell’s forces. So, yes, pretty standard stuff really.

Well, what were you expecting? A romantic comedy?

One of the first things that I will say about this level is that it’s pretty cool. Not only is the level design the kind of interesting non-linear level design that you’d expect from a classic 1990s FPS game, but the gameplay is also suitably challenging too 🙂

And, in keeping with the 1990s style of the level, this is also one of those modern levels where jumping is disabled by default (although the level is designed with this limitation in mind, so it isn’t really that noticeable whilst playing).

I should probably start by talking in more detail about the level design. In addition to containing a reasonably good mixture of claustrophobic corridors and arena-like areas, this level is also divided into two distinctive areas. There’s a ruined city area and a demonic fortress area (with four sub-areas you can teleport to in any order you want) – and, considering that this WAD only uses the standard “Doom II” textures, both areas look pretty cool.

Woo hoo! Gloomy post-apocalyptic landscapes 🙂

And THIS area almost looks like something from “Final Doom” too 🙂

This is also one of those awesome non-linear levels where you’ll often find yourself having to explore, in addition to finding new routes back to earlier areas of the level. Although the level is reasonably large, it’s still small enough to make exploration interesting rather than frustrating. In other words, it probably won’t take you too long to work out where you’re supposed to go next.

Likewise, this level also contains some fairly interesting, but solvable, puzzles too. For example, if you step through a teleporter in one area, you’ll quickly get torn to pieces by imps when you emerge on the other side. As such, you have to find where the teleporter exits and then use a nearby window/hole in the wall to deal with the imps first.

The level also includes an interesting little puzzle involving teleporters and barrels, a few basic switch puzzles, some combat-based puzzles etc… These puzzles are interesting enough to be reminiscent of the classic FPS games of the 1990s whilst also being straightforward enough not to become frustrating.

Hmmm…. I’m surrounded by barrels o’ fun!

In terms of the difficulty, experienced players will find this level enjoyably challenging 🙂 Whilst it is more of a standard-style level (think “Final Doom” turned up to eleven) rather than a “slaughtermap”-style level (where you’re faced with giant hordes of monsters), the level’s difficulty is achieved in a variety of interesting ways.

When you start the level, you’re faced with a reasonable number of mid-low level monsters, few health power-ups, relatively little ammo and a few claustrophobic areas. Whilst the difficulty in these parts of the level can feel a little bit cheap (especially if you’re slightly out of practice), the level soon begins to include a variety of different types of challenging combat.

These include really fun arena areas, areas where you’ll be running for your life, tense battles in narrow corridors, a Cyberdemon battle and even a fun little slaughtermap-style segment where a wide corridor quickly fills with powerful monsters (and you’ll have to use quick reflexes and clever tactics to find a way to escape).

And, yes, this level fulfils it’s mandatory Arch-vile quotient too 🙂

In addition to all of this, the relative scarcity of health items throughout the level (seriously, my health was less than 20 for large portions of the level!) helps to keep things suspenseful and challenging too 🙂

All in all, this is a really fun level 🙂 It’s a really cool modern twist on classic 1990s-style FPS levels. If you feel that “Final Doom” is a little bit too easy or you want a slightly more epic classic-style “Doom II” level, then this one is certainly worth checking out.

If I had to give it a rating out of five, it would get four and a half.

Mini Review: ‘Xaser’s Arena (Version 2)” (WAD For “Doom II”/ “Final Doom”/ “ZDoom”)

Since, once again, I’m still reading the next book I plan to review ( another 600+ page Tudor tome called “Wolf Hall” by Hilary Mantel), I thought that I’d review another “Doom II” WAD, since there really aren’t enough WAD reviews here these days.

So, after clicking on the “random file” button on the /idgames Archive a couple of times, I eventually found an interesting-looking WAD from 2003 called “Xaser’s Arena (Version 2)“.

Interestingly, this is an earlier WAD from the creator of several WADs I’ve reviewed in the past called “Zen Dynamics“, “Dead. Wire” and “Dead. Air“.

As usual, I used the “ZDoom” source port whilst playing this WAD, although I’m guessing that it will probably run with most modern source ports.

So, let’s take a look at “Xaser’s Arena (Version 2)”:

“Xaser’s Arena (Version 2)” is a single-level WAD that includes new textures and music. This WAD actually has a backstory in the accompanying text file too. Basically, the Doomguy is in the middle of a holographic training simulation when a virus causes the monsters inside the simulation to become real and dangerous.

So, yes, it’s basically like a “Doom”-themed version of one of those holodeck-based episodes of “Star Trek: The Next Generation” 🙂

Set phasers to “obliterate”!

One of the first things that I will say about this level is that it looks really cool. After you’ve worked out how to enter the hologram area (just press the two consoles next to the doors), the main part of the level uses a really awesome neon green grid texture that reminded me of both the holodeck from “Star Trek: The Next Generation” and some of the sci-fi levels from an amazing “Doom II” WAD from 2015 called “Reelism“. Seriously, this level looks really cool 🙂

Yes, technically speaking, this is a cyberpunk WAD 🙂

The level design here is pretty interesting too. This is one of those intricate, compact, claustrophobic levels which will require you to press switches, collect keys and constantly search for where to go next.

The level’s small size works really well here since, although some switches may affect things slightly further away, you won’t have to search for them for too long. Likewise, the many claustrophobic corridors you’ll find yourself in really help to add some challenge to the level’s combat too.

However, this level does have something of a strange difficulty curve. Basically, although it is technically possible to get the shotgun near the beginning of the level, you’ll probably miss it – since working out where it is and going through the steps to get it whilst being hounded by multiple cacodemons etc.. is a little bit difficult when you’ve only got a pistol and your health is getting drained quickly by multiple monster attacks.

What this means is that you’ll probably spend many of the early parts of the level with low health and an inadequate amount of pistol ammo. In other words, you’ll probably end up having to use your fists a lot. If you’re experienced with “Doom II”, you’ll probably be able to use tactics to get through most of these parts of the levels in a slow and methodical fashion. Still, whilst this turns low-level monsters (eg: imps, pinky demons etc..) into a genuine threat, it does come across as a rather cheap, and occasionally frustrating, way to achieve difficulty.

Five health and no bullets. Never let it be said that “Doom II” is an easy game. Still, this crumpled door looks pretty cool.

However, as soon as you get the super shotgun, chaingun and/or rocket launcher slightly later in the level, everything quickly becomes far easier. So, yes, the difficulty curve of this level is a little bit strange.

Seriously, once you find this place, the difficulty level suddenly changes from “challenging” to “pretty easy”.

In terms of the new background music, it consists of fast, upbeat, futuristic music that goes surprisingly well with the level. It’s cheesy enough to be fun, but good enough not to become annoying for the 15-45 minutes you’ll probably spend with this level.

All in all, although this level has a little bit of a strange difficulty curve, this is a cool-looking and reasonably well-designed WAD. It’s a fascinating early level by a designer who would go on to create even cooler sci-fi WADs (the most enjoyable of which is probably “Dead. Air).

If I had to give it a rating out of five, it would get at least three and a half.

Review: “Osiris” (WAD for “Doom II”/ “Final Doom”)

Well, since I’m still reading the next book I’ll be reviewing (“Nefertiti” By Michelle Moran), I thought that I’d review another “Doom II” WAD. After all, it’s been a few weeks since the last one. And, since I was in an “ancient Egypt” kind of mood, I decided to check out a rather cool WAD from 1996 called “Osiris“.

As usual, I used the “ZDoom” source port whilst playing this WAD. However, interestingly, the WAD also comes with an installer program – so it will probably work with the original DOS/Win 95 versions of “Doom II”. I’m not sure if it’ll work with the original Win 95 version of “Final Doom”, but – if you use a source port – it is compatible with the “Final Doom” IWADs.

So, let’s take a look at “Osiris”:

“Osiris” is an eight-level WAD that includes new sounds, textures, skyboxes, sprites, music and a new weapon. One of the first things that I will say about this WAD is… wow! For a WAD made twenty-three years ago, it is as impressive as a more modern WAD. Not only that, it was also inspired by the movie “Stargate” too – which just makes it even cooler 🙂

Woo hoo! Seriously, I love Stargate-themed WADs 🙂

And there are even “Stargate” computers too 🙂

Where do I even begin with this WAD? The level design is ’90s level design at it’s very best. All of the levels are wonderfully non-linear and there’s a really cool mixture between tense claustrophobic levels, epic levels set in multiple locations, the occasional switch-puzzle based level, an arena battle or two – and at least one level which has a vaguely “loop”-like structure (eg: you end up near the beginning at the end of the level). Plus, one other cool thing about the level design is that the beginning of each level looks like the end of the previous level.

There are also lots of cool little flourishes and tricks. For example, there’s one area where you stand on an unstable floor and it collapses. Ok, it’s just a one-way lift. But, the speed of it and the accompanying sound effects really make it seem like the floor has suddenly collapsed. Plus, all of the new textures mean that many of the levels look absolutely spectacular too 🙂

Yay! Ancient Egypt 🙂

And THIS is like something from Iron Maiden’s “Powerslave” album too 🙂

Which brings me on to the sound design. Normally, I don’t talk about the sounds and music until later in a review, but the sound design in this WAD really blew me away. Not only do all of the weapons sound ten times as thunderous, but there are also more intense monster sounds, lots of cool sound effects, even some voice acting in the background (eg: an ominous voice) and some truly excellent music – which is a brilliantly fitting mixture of “Ancient Egypt”-style music and 1980s/90s-style rock music 🙂

In terms of the monsters, there are some really awesome sprite replacements. The best ones are probably the fact that the imps have been replaced by Anubis-like creatures and, even better, the pinky demons have been replaced by hooded scythe-wielding zombies with glowing eyes:

Seriously, this guy needs to appear on a heavy metal album cover 🙂

It’s bark is worse than it’s bite, I think.

My only criticism of the monsters, and this might have been because of the source port I was using, is that there’s a really hilarious glitch. Basically, if you gib either the zombieman or the shotgun zombie, then ammo drops will keep spawning from their bodies in a vaguely fountain-like fashion.

Well, at least I’m not going to be running out of ammo any time soon…

One interesting thing about this WAD is how it achieves it’s difficulty. Although experienced players will find this WAD to be mildly-moderately challenging at most, one innovative trick is that many of the levels are filled with hit-scanning monsters. Whilst this does lead to some rather cheap moments (eg: monsters sniping you from a distance), it really helps to ramp up the drama and suspense of many of the game’s battles.

Plus, there are a lot of chaingun zombies too – which also adds to the difficulty as well 🙂

In terms of the weapons, they’re fairly interesting. Although the fist, chaingun and plasma rifle get some rather interesting-looking sprite replacements, the rocket launcher is replaced by a flamethrower. This is a weapon that can actually be used at close range, although the trajectory of the shots means that it doesn’t always work as well at longer ranges (which helps to balance it slightly).

In the words of Rammstein, feuer frei!

All in all, this is a really impressive WAD 🙂 Not only is it thrillingly fun, but it also gets the “ancient Egypt” atmosphere absolutely right. In other words, it feels as gloriously dramatic and stylised as not only the original “Stargate” film, but also other ancient Egypt themed FPS games like “Killing Time“, “Serious Sam: The First Encounter” and “Exhumed” too 🙂 The level design is splendid and both the sound and sprite replacements are really cool too. As I said before, this is as impressive as a good modern WAD and it was made in 1996. Seriously, this is awesome 🙂

If I had to give it a rating out of five, it would get a very solid five 🙂