Stay tuned for the next story at 7:30AM (GMT) tomorrow 🙂
Vincent closed his hardback journal, carefully putting the elastic strap back in place. It was a cheap clone bought online for a fiver. The cover was a bit more plasticky than the genuine article and the spine didn’t creak enough but, with 80gsm paper, it was just about sturdy enough to stand up to rollerball ink without bleed-through. He smirked to himself. Rollerball ink?
It was ink in a rollerball pen, but not the original ink. By gripping the nib with a pair of pliers and pulling out the feed mechanism, he could re-fill it with fountain pen ink using a syringe. “Greyson’s Pure Darkness”, to be precise.
A deep black ink with a faint iridescent sheen to it when held up to the light at the proper angle. Of course, the videos online had pointed out that you can only refill a disposable rollerball about ten times before the nib starts to wear out. Still cheaper and more user-friendly than a fountain pen though.
After carefully replacing the journal in its proper position on the shelf, Vincent turned the TV on.
“And now the DBC early evening news with Rachel Fernsborough“.
Dramatic music and pulsing red computer graphics swirled around on the screen before the camera zoomed in on a stern lady sitting behind a desk. She frowned: “Our top story tonight, another senseless killing by what has been dubbed the West Portsea Ripper. Although police have not released any information about the victim’s identity, they have confirmed that a note found at the scene of the crime connects this latest murder to the other recent killings.”
Vincent’s ears pricked up. A note?
The footage on the screen cut to a serious-looking bald man in a suit. The subtitle read “DCI Fergus Grittleworth”. He adjusted his tie: “CCTV footage has proven inconclusive. Eyewitnesses describe a person wearing a face mask, a dark woolen hat and black leather gloves but there is some conflict between reports as to their height. We have not discounted the possibility of multiple killers, but believe it to be unlikely. We advise people to lock all doors and windows at night and keep a phone on stand-by.”
He sighed: “We’ve also heard reports of people carrying knives or other weapons in the street for defence against the killer. Whilst we understand the fears, we should not have to remind you that not only is carrying weapons against the law, but it is also counter-productive in two ways. Firstly, the killer does not strike on the street. Secondly, if we catch someone with a knife, then we may well confuse them for the killer. Furthermore…”
Vincent wasn’t listening. All he could think about was the brief mention of a note. He had to know the paper and the pen. Was it a sloppy biro scrawl on cheap note-paper? Was it elaborate copperplate on vellum, inscribed in advance with a fountain pen. In which case, which pen? A compact Colecco Sportif would be a good choice for a killer on the go but, if they wrote it in advance, they could go for one of those ornate glass dip pens. The nib wouldn’t wear as much, making identification more difficult.
Forgetting to turn the television off, he raced over to his old desktop computer. In the ten minutes it took to load up, he kept thinking about the note. Printed letters with a marker pen would be more anonymous, but not very classy. What if they wrote it in the victim’s blood with an old-fashioned dip pen? No, too much forensic evidence left on the nib. Unless they threw away the nib every time, but that would mean that they were either using cheap internet-bought nibs – too much of a paper trail – or they were incredibly rich. If it was the latter, why were the police even bothering to search for them? The rich get away with everything.
When the computer finally loaded, Vincent double-clicked on the browser as fast as he could. Of course none of the mainstream news sites included photos of the note. There were probably Kafkaesque rules about disclosure of evidence. He didn’t care. He had to see the note. A general internet search revealed a lot of chatter, but no pictures. It had to be on there. Everything is on the internet.
Vaguely remembering something about how newspapers abroad were less prudish about showing the grisly details, he used the search engine’s translation feature to enter queries in other languages. France and Germany weren’t interested. Neither was Spain. But Italy? Oh boy, was Italy interested. The translation of the headline wasn’t perfect: “British «Giallo» Case – Detective Confused“. He didn’t care. He scrolled down until he found it.
A crisp HD phone photo of a business card lying on a grey carpet blotched with deep brown bloodstains. He downloaded the image and zoomed in on it. The handwriting was in cursive, the consistent line width implied either a ballpoint, rollerball or gel pen. Practical.
Vincent zoomed in further. The exact words didn’t matter – something about blood moons, the devil and Aquarius – he wanted to get a good look at the ink.
Computer monitors were notorious for subtly altering colours, but he’d tried out enough samplers to recognise the ink at once. “Argento’s Profound Purple”. The slightly reflective sheen, the tiny blotches of black that gave it is richly deep amethyst hue. The slight fading around the edges. A fellow refiller?
He did a couple more searches and then picked up the phone. To his surprise, he got straight through on his first try.
“DCI Grittleworth here, what is it?”
“Hello, I’m not sure if I got the right number from the internet but I’ve got information that might help you to...” Vincent froze. Of course the police knew what ink the killer used. Simple chromatography could tell them that. But, no, it’s America that has the national ink register. The police here might not have one.
He took a deep breath and continued: “… Identify the West Portsea Ripper. I was looking at international news articles and saw a photo of the note.”
“Bloody hell! If I catch the scrote that leaked that! Sorry, do go on...”
Vincent explained everything about the ink.
“Right, that actually sounds like it could be something. I’ll be over as soon as possible to take a proper statement. If I could just get your address…”
As he waited, Vincent smiled to himself. In all of his years of stationery collecting, he’d never expected it to actually be useful for anything. It was a way of passing the time, no different to car enthusiasts or coffee snobs. Everyone should have a fascination. And, at least it wasn’t serial killing.
He was so deep in thought that he almost missed the doorbell. Grittleworth looked slightly shorter and younger in person than he did on TV.
“Do you want any tea or anything or should we get down to business?”
“Business, I think.”
Once again, Vincent explained everything whilst Grittleworth took notes. When he finished, Vincent leaned in closer and said: “Sorry, personal interest, but I’ve always wondered what brand the standard-issue notebook is. If I had to guess, it was a French cahier of some kind, but I don’t imagine that...”
Grittleworth handed the notebook over to him. In profound purple ink on thick plain card-stock, the word “Dead” was repeated again and again. A thin smile crossed Grittleworth’s face: “Good thing you found my personal number. And, no, this notebook isn’t standard issue.” He reached into his jacket. “Now, Satan calls…“