Well, it’s been a while since I wrote an article about writing (and storytelling in general). It’s also been a while since I wrote about the horror genre too. Even so, I’m going to have to start this article by talking about my dreams for a while.
As usual, there’s a good reason for this that I hope becomes obvious later – although I should warn you that, since this is an article about both nightmares and the horror genre, it may contain some disturbing descriptions. But, I’ll try to keep them to a minimum.
The night before I wrote this article, I had a nightmare (which was probably caused by the fact I was watching “Supernatural” at the time). It wasn’t really your garden variety anxiety dream, it was an actual nightmare – with creatures and everything. Well, one mythological creature of some kind, a monster hunter and everyone else.
The interesting thing about this dream was that it wasn’t actually seriously scary until the very end. Yes, this dream actually had a creepy plot twist.
The twist was, of course, that I (unknowingly) turned out to be the ancient creature that the monster hunter had been following. I haven’t even seen “The Twilight Zone” and even I know that this twist is taken directly from that show.
In retrospect, this melodramatic plot twist should have been obvious – given that the monster hunter shot me within two minutes of the dream starting ( at the time, I just assumed that he was aiming at someone else and had missed). Not only that, when I actually saw the bullet wound later in the dream – it was surprisingly small, almost painless and totally bloodless.
Then again, this wasn’t really that shocking for the simple reason that, in most other nightmares that I’ve had, any horrific injuries that I sustain are almost always totally bloodless and only mildly painful at most. It always seems perfectly normal at the time for some reason.
No, the really creepy part of the dream was the sudden change in the emotional reactions of everyone around me towards me when it was revealed that I wasn’t as human as I thought I was.
Although I overheard the monster hunter talking about the creature earlier in the dream (and mentioning that it can be harmed with milk), it wasn’t until after I’d seen my injuries in the mirror that the monster hunter suddenly appeared behind me and poured a glass of milk over my head.
Although the milk produced a theatrical cloud of smoke and some loud hissing sounds, it wasn’t particularly painful or frightening. It was everyone else’s shocked and/or hostile reactions that startled me into waking up quickly.
So, why am I talking about a nightmare that I had? What does any of this have to do with storytelling?
Well, it has to do with how plot twists are handled in the horror genre. As anyone will tell you, all good plot twists should be foreshadowed earlier in the story. To make a plot twist truly shocking, the reader needs to see a couple of subtle clues about it earlier in the story that theoretically give them a chance to work out the twist before it is revealed.
In the horror genre, readers expect a lot of strange and horrific things to happen. They expect tragedy, unusual characters and bizarre events. As such, there’s a lot more room for horror writers to hide clues about upcoming plot twists than there is in many other genres.
For example, I mentioned that all of the injuries in my nightmares tend to be totally bloodless. Most of the time, this just feels like an “ordinary” part of the dream – except for the one time that it was actually a clue that I was actually some kind of ancient creature. If this dream had been anything other than a nightmare, the fact that a gunshot hadn’t really hurt me much would have been a huge clue that something wasn’t right.
Another thing to remember about plot twists in the horror genre is that at least half of the shock value comes from the way that the characters react to these plot twists.
Yes, even if the twist itself is extremely shocking, it’s often only truly horrifying when the characters actually react to it. Regardless of whether they react with abject horror or with cold indifference, character reactions are an extremely important part of any plot twist.
Again, the truly frightening part of my nightmare wasn’t the fact that I was some kind of immortal ancient creature (since this, in itself, would be kind of cool). It was the fact that the people around me suddenly saw me as some kind of monster that had to be killed in the most horrific way possible. That was the true horror of the nightmare!
So, remember to foreshadow your plot twists carefully and – more importantly – remember that your characters’ reactions can make the difference between a scary plot twist and a silly plot twist.
Anyway, I hope that this was useful